Faculty Directory

Faculty Interviews

Faculty Sponsor Numbers (CRN's)

Faculty by Subject Index

Finding a Faculty Contract Sponsor

Faculty, Staff & Student Web Pages


Interview with Janet Ott

Recent Teaching History
Whole and Holy: Alternative Herstories of Healing; 2000-1
Undergraduate Research in Scientific Inquiry; 2000-1; 1999-2000; 1998-99
The Great Work; 1999-2000
Not by Bread Alone: A Look at the Elements of Life; 1998-99
Vital Stuff: The Chemistry and Biology of Food; 1997-98
Science, Art, and Ideology In Social Context; 1996-97
Foundations of Natural Science; 1995-96
Paradigm of Progress: A Case Study of Victorian England; 1994-95
Molecule to Organism; 1993-94

Recent and Current Areas of Interest

There are two rather different, but faintly connected areas of interest that I am working on. They both have to do with how mindsets and practices which are at odds with our modern scientific rationalism manifest themselves, affect our understanding, and shape the ways we see the world. The first has to do with the alternative healing practices and the physical mechanism which underlie those approaches which attempt to connect mind, body and spirit. The specific work I am currently undertaking has to do with my study and certification in Jin Shin Jyutsu, a Japanese form of acupressure. They call it an art and a physio-philosophy. I am beginning work summer with an acupuncturist to investigate the biophysical mechanisms which are at work in this healing and to investigate how the body responds, in terms of heart rate, blood pressure, temperature and the like during treatment. In other words we’re just going to stick electrodes in all over and see what happens. We are really interested in how this kind of healing works and maybe we can begin to get at why it works.
The second is my total fascination with the Gothic cathedrals of Northern France. I am entirely fascinated by the medieval mindset and the understandings that went into the siting, design, and construction of the cathedrals. I am interested in where the cathedrals were placed in on the landscape (usually on high Druid sites). I am fascinated with the principles of numerology, sacred geometry, and astrology which underlay the medieval Christian tradition and which were the design principles for construction of the cathedrals. In a general way I am fascinated with the historical roots of our present mind set and the way whether we are conscious of it or not stereotypes and assumptions which are rooted deep in our cultural history affect our present views.

Finally, I have a real but rather back grounded interest in the question of teaching sciences and mathematics effectively. I don't think we as a society are doing a very good job of it. I am interested in issues of analysis and assessment. We know lectures aren't very effective, so what do we do to get students engaged with workshops and labs. How do we transfer knowledge and skills. I am convinced that they are in some way qualitatively different from humanities and social sciences. I am interested in the pedagogy of math and sciences.

Are there particular authors/artists/thinkers whose work you interested and which you often ask students to examine?

Around particular topics there are specific works which I would have student's read. But, with the possible exception of Kuehn's The Structure of Scientific Revolutions, there are not general pieces of reading which I feel student's need to have read in order for us to work. But in a topic area, for example Gothic cathedrals I would want students to have read Otto von Simpson, or for gender issues I would want them to read Caryl Churchill’s "Cloud Nine." In the sciences I feel it is critically important for students to read the primary literature, indeed in history as well. Students have to build a framework. Frameworks are incredibly important to me. You may change that framework. You may completely dismantle it. But if you don't have anything to start with your just building sand castles that will get washed away.

Specific Skills, Competence, Techniques:

I try to teach clarity of thinking which can then be written, spoken or presented as in a poster or presentation. It really doesn't matter whether I am teaching sciences or history, freshmen or advanced students, I want students to work on clear thinking and writing. This takes constant work. I try to get students to work together in groups, to serve as an audience and critics for each other's work. I want students to learn how to present what they have to say without extraneous material. In general I think learning how to work in a small group is a critical lesson and skill which students need to learn. I am concerned to teach library skills and make sure that students know how to use a library to form and begin to answer their own questions. I don't think you can become an educated person if you can't figure out how to use a library.

What are key qualities you look for and techniques you use to assess and help students assess their work?

Put most succinctly, I look for clarity without filler. Are students capable of finding a main point, answering a question, defining a thesis in a precise and concise way. Is there enough information to convey and support the point without extraneous filler. It took me a while to recognize that I didn't want the filler. I think becoming clearer and more precise in language is a very slow process. I tend to use lots of workshops in order to give people a place for constant response and reaction to their work. I think this learning happens as much as a result of effective response peers as it does from faculty. Students need to make several drafts of a piece of work in order to really learn about clarity of presentation.

Teaching Style:How would you characterize yourself as a teacher?

I think of myself as someone who is flexibly inflexible. In other words, I think there really are pieces of work and particular skills that the students have to learn in order for them to know a subject and engage in the conversation about it. I can become rather intransigent about these things. Yet I am willing to flex when students have real personal difficulties and work with me about how to learn the material in a different way. Deadlines are deadlines to me. On some things I am absolutely inflexible. Your work will be done at the end of the quarter. But, I am also quite flexible about issues of family, work and the like when there is a legitimate issue in a student's life. I am absolutely engaged with my students. I think I am demanding, yet I have really increased my patience. I'm not great there yet. There are students who might argue with that. I am enthusiastic.

What types of students tend to do well with you?

The students who do well with me are self-motivated, self assured, but not arrogant. I really can't stand it when students think they are better than they are. Bright students do well with me. The other thing is that I am really good with the other end of the spectrum to. I am really good with shy and unassuming, especially those new to the environment. These people need to be willing to work hard, but not necessarily bright.

What types of students have a hard time with you?

The students who I have a difficulty with are the ones who have a veneer of self assurance, but can't stand up for themselves inside so at the first criticism they crumble. But because thye can't deal with it in a face to face way, they end up being very critical in evaluations and occasionally disrupt other student's learning in the program. These students tend to see their work as themselves and criticism of it tends to be treated as personal criticism. Unfocused and/or lazy students have a hard time with me. Unless we can work on the issue of focus directly.

What do your student evaluations say about the way you come across to students?

Student evaluations are sometimes a mystery to me. They tend to be quite polar. Many students see me as there for them, listen carefully, help clarify work,with good suggestions, that I hear them and work with them as an adult. From the shy students I hear "I was scared to approach Jan, but when I did she was terrific and caring and thoughtful." "She pushed me in ways I needed to be pushed." "I like her sense of humor." These things turn around to be really sarcastic, condescending, "she doesn't listen." "She doesn't give enough positive stuff in her evaluations" although that is changing as I have made an attempt to change that.

Expectations about Contracts, Internships, and Evaluations
What qualities do you look for in a student who comes to you for work in a contract?

I see contracts as advanced work. I think there are two different sorts of work that are good to do in contact. The first is advanced topics that are not covered by our curriculum such as some gender issues, or Gothic Cathedrals, of a particular physiologist or psychologist, but it can also be a senior thesis integrative experience. In other words they can be on a particular path or pulling together a lot of disparate things. Internships are often misused, but when they are done well they are an incredibly useful praxis, which allows students to try out a possible career. For example someone who wants to go into medicine, midwifery, or veterinary science, but has no idea about whether they can stand the sight of blood. Thus when a student comes to me they need to have a well thought out idea for a contract. That means a clear idea about the focus. the books they want to read, the papers they want to write, the projects they want to undertake, how they want to be evaluated and some real idea of what they want from me. For internships students need much of the above and they need to have made a firm contract with a field supervisor.

What information do you want to see when a person comes to look for a contract?

I want a draft of their written proposal . More than that it depends on who they are working with and what they are doing. If it is a contract that includes work at another institution then I want to see the syllabus for that class. If doing library research I would like to see bibliographies. I do want lists of references from other faculty.

When writing evaluations what are the key qualities or attributes of student work you access?

I attend to issues of timeliness, attendance, preparation, and completion of work as patterns. Thus if a student is consistently late it will get mentioned. I assess skills primarily, clarity in writing, oral presentation and other materials. I assess their ability to analyze content and to talk about it intelligently. I assess communications generally but seminar skills in particular. In many instances I assess their ability to work in small groups.


 

Contact the Site Manager

 

Last Updated: March 15, 2007


The Evergreen State College

2700 Evergreen Parkway NW

Olympia, Washington 98505

(360) 867-6000