2013-14 Undergraduate Index A-Z

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Cultural Studies [clear]

Title	Offering	Standing	Credits	Credits	When	F	W	S	Description	Preparatory	Faculty	Days of Week	Multiple Standings	Start Quarters
A Sense of Wonder revised Nancy Parkes and Hirsh Diamant communications cultural studies education environmental studies literature natural history sustainability studies writing	Program	SO–SRSophomore - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter		In this two-quarter, interdisciplinary program, we will cultivate a “Sense of Wonder” while building skills as writers, activists, artists, and interdisciplinary scholars. Our work will combine theory and practice as we delve into the rich areas of literature, cultural studies, writing, creative arts, contemplative practice, natural history, and environmental/outdoor education. We will explore how we develop roots to the natural world and explore themes related to natural history literature, the Pacific Northwest, and global multicultural traditions that have an intimate connection to place. At the core of our inquiry will be the questions: What enlivens Culture? What motivates change? Working from a rich, interdisciplinary perspective, we will study what it means to be rooted to place and how place connects us to a deep sense of purpose and meaning through word and image, language and tradition, stories and activism, and education and scholarship.Program expectations for education and scholarship: By the end of the two-quarter study, students will:		Nancy Parkes Hirsh Diamant	Mon Wed Sat	Sophomore SO Junior JR Senior SR	Fall
Activism, Advocacy and Citizenship Paul McCreary, Pamela Duncan-Pierce, Linda Gaffney, Carl Waluconis, Frances Solomon, Suzanne Simons, Arlen Speights, Barbara Laners, Peter Bacho, Jose Gomez, Gilda Sheppard and Tyrus Smith community studies cultural studies education environmental studies law and public policy leadership studies media studies	Program	JR–SRJunior - Senior	16	16	Day and Evening	F 13 Fall	W 14Winter	S 14Spring	This year’s program takes a holistic approach to systemic change at the community level. Students will explore the roles and responsibilities of citizens in a representative democracy. We will focus on individual- and community-building practices based on literacy in humanities, social sciences, mathematics, science, media and technology. A major emphasis of this program will be the examination of how citizens effectively advocate and engage in activism to address pressing social, legal, economic and ecological problems. Students will be expected to demonstrate understanding, action and leadership in their areas of interest.During fall quarter, students will study historical notions of leadership and strategies employed to achieve social change through activism and advocacy in institutional and non-institutional settings. Students will reflect on their personal experiences and the world around them in order to understand how they may apply the insights, knowledge and skills to promote civic engagement and foster change.Winter's work will be based upon the foundations built in fall quarter. Students will identify, develop and explore models of advocacy and activism that have led to systemic change. They will enhance their knowledge of contemporary social movements, political interest groups, and scientific and legal advocacy. Students will work actively toward the application of this knowledge by developing collaborative action research projects.In spring quarter, students will join theory with practice, utilizing a variety of expansive methods, from writing to media, in order to demonstrate and communicate their perceptions and findings to a wider audience. They will present their collaborative research projects to the public. The information presented will be directed toward benefiting individual and community capacity as well as communicating a wider understanding of their findings to enhance their own lives, the lives of those in their community and the world that we all share.		Paul McCreary Pamela Duncan-Pierce Linda Gaffney Carl Waluconis Frances Solomon Suzanne Simons Arlen Speights Barbara Laners Peter Bacho Jose Gomez Gilda Sheppard Tyrus Smith		Junior JR Senior SR	Fall
Advancing Your Senior Thesis: Humanities/Cultural Studies Greg Mullins cultural studies	Program	JR–SRJunior - Senior	16	16	Day			S 14Spring	Many students wish to pursue a senior project involving substantive independent research and writing. This program is designed for students whose achievements have propelled them to intermediate or advanced levels of inquiry in the humanities or in cultural studies, and who are in their junior year or the very beginning of their senior year. By completing this program in spring quarter, students will position themselves to pursue an advanced research/writing project in the following year. Over the ten weeks of spring quarter we will read a sequence of texts in common; we will analyze them not only for content but also for methodology. We will study what kinds of sources, evidence, interpretive paradigms and arguments are demanded by humanities fields such as history, literature and philosophy, and by interdisciplinary fields such as queer studies, American studies, women’s studies and cultural studies.By better understanding what makes research publishable, students will gain a keen appreciation for the methods and rhetorical strategies that they will need to master in order to pursue their own independent studies. Students will research and write about a topic of their choice, with the goal of laying a solid foundation for a senior thesis or project. Writing assignments include: an abstract, a work plan, two response papers, an annotated bibliography, a review of a scholarly journal, description of research methods and a research prospectus.		Greg Mullins		Junior JR Senior SR	Spring
Adventure Travel and Eco-Tourism: The Businesses and Their History revised Robert Smurr business and management cultural studies environmental studies history international studies leadership studies outdoor leadership and education	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall			Eco-tourism and adventure travel are frequently proclaimed to be two of the fastest growing sectors of the tourism industry, and both are promoted as more environmentally friendly options than traditional tourism models. Are they really? This program will examine the history, development, and business policies of the adventure travel and eco-tourism industries. Ever since the first adventure travel company emerged in 1969, opportunities for exploring distinct landscapes, species, and human cultures boomed worldwide. What, however, are some of the consequences related to this new type of tourism? Are these industries truly more interested in protecting the environment than they are making money? Why are adventure travelers actually more interested in experiencing traditional landscapes, cultures and beliefs than traditional tourists? Is one truly an eco-tourist if he flies in a airplane half way around the globe to view threatened birds?Physically demanding activities, such as trekking, rafting, and climbing – most often in foreign countries – all became hallmarks of this new type of tourism. In addition to learning the history, economic and cultural power of this "new" tourism, we will also examine specific business models in the program. As such, we will investigate clients, their desires, and how numerous companies strive to meet their demands. Several guest speakers with long histories in adventure travel and eco-tourism will give us added insight, as will numerous field trips.		Robert Smurr	Tue Tue Wed Fri Fri	Sophomore SO Junior JR Senior SR	Fall
Against All Odds: The Black Woman's Experience revised Kabby Mitchell and Joye Hardiman African American studies American studies cultural studies dance gender and women's studies history literature music	Program	SO–SRSophomore - Senior	16	16	Day			S 14Spring	How did Black women, of many different cultures and ages, succeed against all odds? How did they move from victim to victors? Where did they find the insurmountable courage to deconstruct and reconstruct their lives? In this program, students will participate in an inquiry-base exploration of the efficacy, resiliency and longevity of the lives and legacies of selected Black women from Ancient Egypt to contemporary Seattle. Our exploration will use the lenses of Ancient Egyptian studies, African, African-American and Afro-Disaporic history, dance history and popular culture to investigate these womens' lives and cultural contexts.The class will have a variety of learning environments, including lectures and films, workshops, seminars and research groups. All students will demonstrate their acquired knowledge, skill and insight by: creating an annotated bibliography; giving a final performance based on the life of a chosen black woman; and an end-of-the-quarter "lessons learned presentation" demonstrating how our collective studies applied to each individual student's life and legacy.		Kabby Mitchell Joye Hardiman	Tue Tue Tue Wed Wed Wed Thu Thu Thu	Sophomore SO Junior JR Senior SR	Spring
American Families: Historical and Sociological Perspectives revised Stephanie Coontz American studies cultural studies gender and women's studies history sociology	Program	FR–SRFreshmen - Senior	8	08	Weekend			S 14Spring	This program explores changes in the social construction and cultural expectations of family life and intimate relations, from colonial times to the present. We begin by delving into the very different values and behaviors of colonial families and then trace changes in love, marriage, parenting, and family arrangements under the influence of the American Revolution and the spread of wage labor. We study the gender and sexual norms of the 19th century, including variation by race and class, then examine the changes pioneered in the early 20th century. We discuss the rise of the 1950s male breadwinner family and then follow its demise from the 1960s through the 1980s. We end the quarter by discussing new patterns of partnering and parenting in the past 30 years,Readings will be challenging, and there will be frequent writing assignments. All students are expected to complete all assignments and participate in workshops and seminar discussions. Credit depends upon consistent attendance and preparation and a demonstrated mastery of the subject matter.This class is excellent preparation for graduate work or professional employment in history, sociology, law, American studies, social work, and psychology. Ir provides needed context and background for people working in the social services or education.	sociology, history, family studies, research, social work, teaching, family law and counseling.	Stephanie Coontz	Sat	Freshmen FR Sophomore SO Junior JR Senior SR	Spring
American Frontiers, Homelands, and Empire revised Zoltan Grossman and Kristina Ackley American studies Native American studies community studies cultural studies education geography history international studies	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter		Students will explore the juxtaposed themes of Frontier and Homeland, Empire and Periphery and the Indigenous and Immigrant experience. We will use historical analysis (changes in time) and geographic analysis (changes in place) to critique these themes, and will turn toward cultural analysis for a deeper understanding of race, nation, class and gender. We will take as our starting point a critique of Frederick Jackson Turner’s “Frontier Thesis”—that the frontier is "the meeting point between savagery and civilization"—as a racist rationale for the colonization of Native American homelands. We will consider alternative histories of Anglo-American expansion and settlement in North America, with interaction, change, and persistence as our unifying themes.We will study how place and connection is nurtured, re-imagined and interpreted, particularly in Indigenous and recent immigrant communities. We will connect between the ongoing process of "Manifest Destiny" in North America and subsequent overseas imperial expansion into Latin America, the Pacific and beyond. The colonial control of domestic homelands and imperial control of foreign homelands are both highlighted in recent patterns of recent immigration. These patterns involve many "immigrants" who are in fact indigenous to the Americas, as well as immigrants from countries once conquered by the U.S. military. The American Empire, it seems, began at home and its effects are coming back home and will be contested again.In fall quarter, we will track the historical progression of the frontier across North America and overseas and the territorial and cultural clashes of immigrant and colonized peoples. We will hear firsthand the life stories of local individuals and communities to understand their narratives of conflict, assimilation, resistance and survival. In the winter quarter, we will look at contemporary case studies that show the imprint of the past in the present and how 21st-century North American communities (particularly in the Pacific Northwest) are wrestling with the legacies of colonization, imperialism and migration. In particular, we will examine the overlapping experiences of Native Americans and recent immigrants, and Indigenous territories and migrations that transgress or straddle the international border as defined by "Homeland Security. This program offers ideal opportunities for students to develop skills in writing, research, and analysis.		Zoltan Grossman Kristina Ackley	Tue Wed Fri	Freshmen FR Sophomore SO	Fall
Andean Roots: Language and Cultural Landscape revised Rachel Hastings and Steven Scheuerell agriculture cultural studies environmental studies geography international studies language studies linguistics study abroad sustainability studies	Program	SO–SRSophomore - Senior	12, 16	12 16	Day	F 13 Fall	W 14Winter	S 14Spring	This is a yearlong interdisciplinary program that incorporates sociolinguistics, geography, history, cultural ecology, global change, biocultural diversity conservation, food systems and sustainable development studies to explore how societies evolve and survive in relation to their environment and a globalizing world. Our studies are based on the belief that many cultures have developed rich linguistic and ecological traditions that have provided the means for communication, food, clothing and shelter based on a sustainable relationship with the land. More recently, cultural and economic globalization are increasingly impacting local knowledge systems worldwide, in particular when measured by changes to language, land-use and food systems. These changes, together with such factors as increasing human population, environmental degradation, loss of biodiversity and climate change, compel us to explore the ways in which knowledge systems are preserved or lost. In particular, we recognize the urgent need to preserve cultural knowledge that allows a society to be rooted in place, recognize ecological limits and provide for its needs. The Andean region of South America is an ideal region to study these issues.The academic program consists of two phases. The first phase over fall quarter will focus on program themes using texts, lectures, workshops, film, writing and local field trips. Fall quarter the program will be offered for 12 credits to provide students with the option to separately register for an appropriate Spanish language course. Selection for the second phase over winter and spring quarters will be based upon criteria including successful completion of fall quarter work, demonstrated readiness for study abroad and Spanish language ability. In winter and spring, students will be full time in the program, which will be offered for 16 credits per quarter. Winter quarter will begin with 5 weeks of travel preparations and intensive study on Peru, followed by a 15-week study abroad experience in the Cusco region of the Peruvian Andes that incorporates intensive Spanish or Quechua language study, regional travel, seminars, urban and rural home stays and independent research or service learning with local organizations. At the end of the independent project period, we will reconvene for final student presentations and evaluation conferences in the Sacred Valley near Cusco.As the former Incan capital, and home to vibrant cultures and immense biodiversity, the Cusco region of Peru offers immersion in the study of biocultural diversity and how the preservation of linguistic diversity is related to the preservation of traditional ecological knowledge, biodiversity and local food systems. While in Peru, we will continue language and cultural studies while experiencing regional initiatives to preserve cultural landscapes and indigenous knowledge systems in the midst of development pressure. Given the region's rich history, knowledge systems, architecture, agriculture, weaving, ceramics and music, we will ask how is knowledge transferred across generations and between communities, and how can traditional knowledge be maximized in sustainable development projects? As we address these academic questions, our own experiences will also lead us on to consider on a more individual level how learning another language and traveling abroad can increase our understanding of culture and what it means to fit into place.		Rachel Hastings Steven Scheuerell		Sophomore SO Junior JR Senior SR	Fall
Bella Bella or Bust - 2014 revised Yvonne Peterson, Michelle Aguilar-Wells and Gary Peterson Native American studies community studies cultural studies education government history political science sociology	Program	FR–SRFreshmen - Senior	16	16	Day and Weekend	F 13 Fall	W 14Winter	S 14Spring	How does a group of indigenous people from different countries: (1) create an activity to reclaim ancient knowledge? (2) develop communication strategies in the 21 century to build a foundation to support gatherings numbering in the thousands? (3) relate tribal governance/rights to state agreements and understandings? (4) appraise economic impacts on local/regional economies when a Tribe hosts a canoe journey destination? and, (5) how does one move to allyship with indigenous people and begin preparation for the historic journey from coastal villages of Northwest Washington to Bella Bella in British Columbia, Canada?Evergreen has a history of providing community service coordinated with the Center for Community-Based Learning and Action (CCBLA) to Tribes during the canoe journeys. This program expands the venture by researching the canoe journey movement, understanding Treaty rights and sovereignty, economic justice, cultural preservation, and the social economic, political and cultural issues for present day Tribes participating in the 2014 canoe journey to Bella Bella. As a learning community, we’ll pose essential questions and research the contemporary phenomenon of the tribal canoe journeys to get acquainted with Tribes and Canoe Families and the historic cultural protocol to understand Native cultural revitalization in the Pacific Northwest and British Columbia.Upper-division students will have the option to engage in service learning volunteer projects and program internships during winter and spring quarters. All students will participate in orientation(s) to the program theme and issues, historic and political frameworks, and work respectfully with communities and organizations. Participation in this program means practicing accountability to the learning community and to other communities, interacting as a respectful guest with other cultures, and engaging in constant communication with co-learners.		Yvonne Peterson Michelle Aguilar-Wells Gary Peterson	Mon Tue Wed Sat	Freshmen FR Sophomore SO Junior JR Senior SR	Fall
Bodies and Music in Motion revised Andrea Gullickson and Robert Esposito cultural studies dance history music somatic studies	Program	FR ONLYFreshmen Only	16	16	Day	F 13 Fall	W 14Winter		How do our experiences in the performing arts impact our understanding of and relationship to our environment? How can music and dance be used to transform lives? This two-quarter, core program will focus on the study of music and dance as powerful methods for both exploring and expressing our experiences in the world. Throughout the program we will examine fundamental concepts of music and dance and consider cultural and historical environments that influence the development of and give meaning to the arts. Our work with progressive skill development will require physical immersion into the practices of listening, moving, dancing and making music. Theory and literature studies will require the development of a common working vocabulary, writing skills, quantitative reasoning, and critical thinking skills.Weekly activities will include readings, lectures, seminars and interactive workshops, which will provide the basis for focused consideration of the ways in which our relationship with sound and motion impact our daily lives. Weekly in-program performance workshops will provide opportunities to gain first-hand understanding of fundamental skills and concepts as well as the transformative possibilities that exist through honest confrontation of challenging experiences. Weekly writing workshops and assignments will encourage thoughtful consideration of a broad range of program topics with a particular emphasis on developing an understanding of the power and importance of bringing one’s own voice into the conversation.This balanced approach to the development of physical craft, artistry and intellectual engagement is expected to culminate in a significant written and performance work each quarter.		Andrea Gullickson Robert Esposito	Mon Tue Wed Thu	Freshmen FR	Fall
Caribbean Cultural Crossings new Tom Womeldorff and Alice Nelson cultural studies economics history international studies literature political economy	Program	FR–SRFreshmen - Senior	16	16	Day	F 13 Fall			In the late 1700s, Europeans saw the Caribbean as one vast sugar plantation controlled by French, English, Spanish and Dutch colonial powers. The insatiable need for labor decimated local populations who were replaced by millions of African slaves and, after emancipation, indentured labor from East India and China. Historically, this represents the largest forced mixing of cultures in the world; the result was a host of new Caribbean identities, all developing in the context of the political, economic and ideological structures imposed by Europeans. Today, the identities and cultural expressions of all Caribbean peoples continue to be shaped by the colonial legacy and the rise of post-colonial consciousness. Thinkers like José Martí (" América"), Aimé Césaire ( ), and Frantz Fanon ( ) exposed the negative effects of colonial subjugation and envisioned liberatory processes of social change. Despite the region's shared colonial and post-colonial legacies, a sense of a common Caribbean identity should not be exaggerated. As Jean Casimir writes, the Caribbean is simultaneously united and divided. A Guadeloupian may be more connected psychologically and physically to Dakar, or even Paris, than she is to Puerto Rico. Out of this intense forced mixing of cultures, what forms of identity emerged and continue to emerge? Is there such a thing as a Caribbean culture, or are identities complex amalgams that defy easy categorizations such as Caribbean, Dominican American, creole Martinican, Afro-Cuban, East-Indian Trinidadian? What are the factors that make the identities of each island's peoples similar and in what ways do they defy categorization--even on a single island? How have cultural movements such as and the "New World baroque" contributed to the construction of Caribbean identities and post-colonial consciousness? These will be the questions at the center of this program. We will begin with an exploration of the colonial legacy with close attention to the political and economic forms central to extracting sugar profits from land and laborers. We will explore the impact of diverse political statuses such as independence (e.g., Jamaica), complete incorporation with the motherland (Martinique) and more nebulous forms in between (Puerto Rico). We will explore the symbioses and tensions between these political and economic issues and cultural movements. Finally, we will investigate how migration and globalization continue to play a major role in shaping local realities. Throughout the quarter, we will examine our own positionality with relation to these questions, asking: How can we study about, learn from, and engage across cultural differences in non-dominating ways? Readings will range from fiction and poetry to history and political-economic analysis. In addition to shared readings, lectures and films, each student will engage in synthesis work and a small project. The latter will be on a topic of the student's choosing, such as cultural expression through music and art, political status, religious syncretism, post-colonial literature, globalization, or migrant identities abroad.		Tom Womeldorff Alice Nelson		Freshmen FR Sophomore SO Junior JR Senior SR	Fall
China: A Success Story? Rose Jang and David Shaw business and management cultural studies economics literature theater	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall			In the fall of 2012, China’s 18th Communist Party Congress selected the current generation of Chinese political leaders, moving China into the next chapter of its 3,000-plus years of political history.Today, China’s economic power continues to grow, and its rise globally has drawn increasing attention. Many developing countries are viewing the China model as an alternative to the Western experience of economic growth and middle class prosperity. However, China is faced with many internal and external challenges. Challenges like these have repeatedly threatened China’s social stability in the past. In the extreme case, they might alter its current ideological foundations, potentially undercutting the premises of the China “success story.”This introductory China studies program will focus on China's present situation as a modern state and global power evolved from a lengthy and complicated cultural development over centuries. Within the time constraint of a quarter, we will examine China from selective angles and subject matters suggesting recurrent cultural patterns and distinct national characteristics. In the social sciences, we will touch on China’s geography, political structure and economic and business systems, including sustainability and environmental issues. From the humanities perspective, we will look at prominent examples of China’s religion, philosophy, arts and literature. All these issues are potentially interrelated, leading to a more coherent set of inquiries into the myth or reality of China’s current image of success.Students will be exposed to multiple topics and issues through weekly readings, lectures, discussions and workshops. They will also conduct a research project on a China-related topic of their own choice. This research project will provide them with opportunities to develop skills in research methods and academic writing. The program will introduce the fundamentals of Chinese language and linguistics through program studies but does not contain an independent Chinese language study component.		Rose Jang David Shaw		Freshmen FR Sophomore SO	Fall
Clinical Psychology: The Scientist-Practitioner Model revised George Freeman and Terry Ford cultural studies education leadership studies psychology	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	In 1949, clinical psychologists defined a model of graduate training called The Boulder Model, also known as the scientist-practitioner model. The model asks that students' training include research and clinical skills to make more informed and evidence-based decisions regarding treatment. Using this model of the scientist-practitioner, students will co-design a course of study in clinical psychology. The intention of this program is to prepare students at the levels of theory and practice for further study and work in the fields of education and human services. Each quarter will examine multicultural themes regarding race, gender, sexual orientation, class, religious identity and ability/disability. Students will be required to begin a two-quarter long, 15 hour/week internship winter quarter in the fields of education and social services. Constructing a research project may be an option if students prefer research to the internship. Fall quarter, students will engage in a study of the history and systems of psychology and its application to clinical settings and schooling, quantitative and qualitative research methods, multicultural studies and investigate regionally-based internships in preparation for winter and spring quarter placements. Winter quarter's focus on personality theory and psychopathology establishes the two foundational areas of study particular to clinical and counseling psychology and applied settings such as educational settings. We will examine the Three Forces of psychology: psychodynamic theory, behaviorism and humanistic psychology. Students will also begin their self-identified internships for winter and spring quarters in an area of the social services or an educational setting. These theories will serve to inform the experience of the internships and anchor students' practical learning in the latest findings and theories. Students may opt for independent literature-based reviews with faculty approval.Our final quarter will be dedicated to an exploration of theory to practice through communication skills practicum and graduate and employment opportunities. Students will continue their internships started winter quarter through spring quarter.Variable credit options are available to students participating in internships.		George Freeman Terry Ford	Mon Tue Fri	Sophomore SO Junior JR Senior SR	Fall
Conquest East, Conquest West: Comparative "Manifest Destinies" Thomas Rainey and John Baldridge anthropology cultural studies ecology geography history political economy	Program	SO–SRSophomore - Senior	8	08	Evening and Weekend		W 14Winter	S 14Spring	This interdisciplinary program offers comparative study of the Russian conquest of northern Eurasia (Siberia) and the Euro-American conquest of North America. It will explore the impact of what environmental historian Alfred Crosby calls "ecological imperialism" on native populations, economic development of the nations based on the exploitation of natural and agricultural resources, the ecological consequences of this exploitation, and the successes and failures of conservation efforts in Russia east of the Urals and in the United States west of the Mississippi. It will also consider the religious, economic, and social motivations and apologias for the ecological conquests. During the winter quarter, the program will examine these two world historical examples of ecological expansion and its consequences from 1600-1900; during the spring quarter, the program will explore the course and legacy of these conquests in the twentieth century as well as the current ecological state of these two continent-wide environments. Students can expect to read and write about bio-geographical, environmental-historical, ethnographic, natural historical, demographic, and political economic texts focusing on the western United States and on northern Eurasia. Personal and fictional accounts as well as films will also be used to enhance understanding of the environmental, economic, and social consequences of conquest. During the spring quarter, students can also expect to research and write short environmental histories of local areas in Western Washington. Credit will largely be in environmental history, bio-geography, and political economy.		Thomas Rainey John Baldridge	Tue Thu	Sophomore SO Junior JR Senior SR	Winter
Consuming Cultures revised Karen Gaul, Rita Pougiales and Julie Russo American studies anthropology community studies cultural studies history media studies political economy sustainability studies	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	In , the historian William Leach writes, “Whoever has the power to project a vision of the good life and make it prevail has the most decisive power of all.” Since the early 20th century, the pleasures of consumption have dominated prevailing visions of the good life in the United States. Innovations in mass production and mass media went hand in hand to link pleasure and prosperity with acquiring the latest commodities. Leisure has also been central to those pleasures, often in the form of tourism, fashion and entertainment, as people consume not only goods but experiences and ideas about what it means to be successful and happy. This program is an inquiry into these features of American consumer culture, particularly the values of convenience and authenticity that characterize the objects and desires it produces and exchanges.Students in this program will study the history and logic of U.S. consumer culture. We will consider the forces that have shaped each of us into consumers in this capitalist society, from prepresentation and ideology to material and technological development. Sustainability will be a critical lens for our inquiry, as we consider the raw materials, labor and waste streams inherent in goods and in cultural experiences. Life cycle analysis of objects—from their origins in nature to their presence on retail shelves, personal spaces, garbage bins and landfills—will help us build a broader context for understanding the materiality with which we all engage every day.Our historical arc will be sweeping: from hunter-gatherers nearly two million years ago, to the origins of animal and plant domestication, to the formation of colonial settlements which created unprecedented challenges and opportunities, to the modern era. We will explore the patterns of resource use, social inequality and relative sustainability. We will examine how habits of conservation, thrift and re-use that were endemic to pre-modern societies transformed in tandem with the unprecedented energies of industrialization. We will investigate the theory and economics of post-industrial capitalism to better understand the impact of new media and technologies on the ways we produce and consume in the present day. We will also examine how curiosity about foreign and mysterious cultures in the context of globalization paved the way for tourism in which cultural authenticity is a central attraction. We will study the relationship between consumption and sustainability, pursuit of the good life through self-help and imported cultural practices such as yoga and meditation, between entertainment industries and communication networks, advertising and buying habits, spending money and self-worth. These contexts will enable us to destabilize and interrogate notions of what feels "normal" in the ways we engage as consumers today, including as consumers of knowledge in increasingly digitized institutions of higher education.Students will have the opportunity to examine ingrained routines of daily life, become conscious of the origins and meanings of their own habits and desires, and thereby become critical thinkers and actors in consumer culture. Our activities will include reading, writing papers and participating in seminar discussions on program topics, learning ethnographic research methods, experimenting with multimodal and collaborative work, viewing relevant films and participating in field trips. In fall quarter, we will build foundational skills and introduce key concepts and themes; winter quarter students will begin to develop their own research agenda; and in spring quarter, they can apply theory to practice in research and/or community-based projects.		Karen Gaul Rita Pougiales Julie Russo		Freshmen FR Sophomore SO	Fall
Creating Dangerously: Experiments in Feminist and Diaspora Art Therese Saliba and Naima Lowe cultural studies gender and women's studies international studies literature media arts moving image	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	"Dangerous creations" emerge out of adverse political conditions and embody new creative strategies and possibilities. This program will explore how writers, media makers, artists and community activists use experimental modes of address to challenge dominant narratives and formal structures, and to confound notions of "the real." With an emphasis on multiculturalism, identity and especially African and Arab Diasporas, this program will examine the histories of slavery, colonialism and Empire and how art, media and literature have been used as tools of both conquest and resistance. We will draw on theoretical tools to analyze the "politics of representation" in popular media, including critiques of Orientalism, the Africanist presence and the gaze. And we will explore how diasporic communities, particularly feminists of color, "talk back" to these representations—by creating dangerously. That is, how do these artists use experimental forms to challenge fixed notions of individual and communal identity, as well as the consumerist system of media and literary production?Through the study of diasporic cultural production, African and Arab American literature and film, Third World Cinema and queer and feminist film theory, we intend to foster critical thinking about race, class and gender identities, and how they are negotiated. We will also explore how certain models of cultural-mixing, hybridity, and border-crossing have created a dispersal of identities and strategic possibilities for solidarities and connections across community struggles.In fall and winter quarters, students will learn to read cultural texts, including film, visual art and literature, to understand the relationships of people and communities, their sense of identity and possibilities for solidarity across differences. Students will develop skills in visual and media literacy, creative and expository writing, analytical reading and viewing, literary analysis, and the terminologies and methodologies of cultural and gender studies, film history and theory. Through workshops, students will also learn a range of community documentation skills, including photography, video, interviewing and oral history. In spring, students will have the opportunity to work on in-depth independent projects in autobiographical representations either through moving image or narrative writing. With faculty guidance and small group workshops, students will write proposals, conduct research and engage in critique groups to produce a major individual or colloborative creation.	visual studies, film studies, cultural studies, literary studies, African-American studies, Arab/Middle East studies, gender studies, community organizing and advocacy, and education.	Therese Saliba Naima Lowe		Freshmen FR Sophomore SO	Fall
Creating Dangerously: Advanced Studies new Naima Lowe and Therese Saliba African American studies cultural studies gender and women's studies media studies writing Signature Required: Fall Winter	Program	JR–SRJunior - Senior	16	16	Day and Evening	F 13 Fall	W 14Winter	S 14Spring	This is an opportunity for a small number of Junior-Senior students with a strong background in one or a combination of the following: visual art, art history, literature, creative writing, media theory, cultural studies, critical race studies, or feminist studies. Students with this background will participate in all of the activities and readings of , but also be asked to complete longer and more in-depth assignments and a large-scale project that will be developed over the course of the year. These students will also act as peer mentors for the Freshman-Sophomore students in the class, and will have opportunities for ongoing critique on projects with program faculty. In addition, advanced students will be required to take a year-long, 2-credit sequence in Critical and Cultural Theory offered one evening a week by Greg Mullins.		Naima Lowe Therese Saliba		Junior JR Senior SR	Fall
Creativity and Diversity in American Culture: Art and Narrative in Response to Place revised Gail Tremblay and Rebecca Chamberlain cultural studies literature visual arts	Program	FR ONLYFreshmen Only	16	16	Day	F 13 Fall	W 14Winter		How does culture affect the visions and worldviews of writers, artists and filmmakers? How does place affect culture? We will explore these questions and connections through careful reading and analysis of literature, film, and art history from a multicultural perspective. As students of culture, we will examine the way in which place and migration from place shapes cultural production of texts and art, as well as how our connection to the natural world affects creativity.Over the course of the program we will read books by African American, Native American, Asian American, European American, Chicano and other Latino writers, and will take field trips to museums, and cultural events in Washington and Oregon. There will be guest speakers from diverse communities sharing their perspectives about their practice as writers, artists, and scholars. Workshops in writing composition, poetry, and art will provide the opportunity to develop a creative practice and create art, poetry, and various forms of narrative. Weekly response essays will provide opportunities for reflection and integration. Fall quarter, we will study works by a diverse group of American writers, artists, and filmmakers. The first book will be Linda Hogan's novel, Early in the quarter, a multi-day field trip to the Makah Nation in Neah Bay on the northwest tip of the Olympic Peninsula will allow us to study the artifacts from Ozette, a 14th village on the Pacific Ocean. We will meet with artists, and cultural experts from the Makah culture and learn about their relationship to place. Winter quarter, we will continue to explore creative works by diverse writers, artists, and filmmakers, which will include essays by multicultural American naturalists that speak to our human connection to earth and place. In addition to field trips and workshops on poetry and art, students will write two five page expository essays, and one ten-page research paper. During the second half of the quarter, they will also do a creative project that grows out of our work over the past two quarters.	literature, education, art, and cultural studies.	Gail Tremblay Rebecca Chamberlain	Mon Tue Thu	Freshmen FR	Fall
Dark Romantics revised Marianne Bailey, Shaw Osha (Flores), Bob Haft, Judith Gabriele and Stacey Davis aesthetics art history cultural studies history international studies language studies literature philosophy study abroad visual arts writing	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	... ...—Hölderlin, "Bread and Wine" We will study art history, literature, philosophy and music in their social and historical contexts in order to understand the Romantic avant-garde thinkers and artists, outsiders in 19th- and early 20th-century Europe, and their tenuous but fruitful dialogue with mainstream culture and the emerging popular culture of the laboring class. We will emphasize French Romanticism, but will also consider the pan-European nature of the phenomenon. This era offers a figurative battlefield where concepts of art, nature and self, order and chaos, locked swords, testing the limits of rational thought. French language study will be an important component of our weekly work; students will study French at one of four levels, from beginning to advanced.The 19th century was an era of immense political change spanning revolutions, empires and finally the establishment of democracy at home, just as European imperialism spread across Africa and Asia. We will study ways in which average women and men crafted their own identities and responded to the larger social forces of industrialization, the creation of a new working class, the solidification of gender and class roles, the rise of modern cities and the redefinition of the criminal, the socially-acceptable and the outsider.In fall, our work will begin with the paintings, poems and ideas of the early Romantics. The Romantics privileged feeling, intuition and empathy. Like adepts in an ancient mystery cult, they sought to commune with Nature. Romantic philosophers, from Schopenhauer to Nietzsche, spoke of Becoming rather than Being. Rejecting Classical order, clarity and restraint, they envisioned a pure art, beyond language and depiction, which speaks musically through color, passion, suggestion, enigmatically, as do dreams.In winter, focus will turn to the late Romantics. Decadents pushed the Romantic temperament and aesthetic to extremes through self parody and the aesthetic of fragmentation. Symbolists attempted to express the inexpressible through their art. Yet Mallarmé, Wilde and Yeats, Moreau and Gauguin, among others, helped prepare the “rites of spring” of the dawning 20th century, the arising vanguard of modernist and postmodern movements.In spring quarter, students may pursue individual research/creative projects on campus or may travel to France for 10 weeks. There they will study in a Rennes, Brittany, language school, do cultural and historical study in Paris and Lyon, as well as make side trips for research of their own.In this program, students will gain a significant grasp of key ideas in art, history and thought within their context, and will have the opportunity to specialize, creating advanced work in their choice of history, art history or writing and literature. We expect strong interest and background in humanities, and considerable self-discipline and motivation. The workload, including French language study, will be substantial and rigorous. Students will work in interdisciplinary all-program sessions and assignments, as well as choose one of three possible seminar groups. These emphasize: 1) literature and philosophy, 2) history, and 3) photography and visual arts, practice and theory.		Marianne Bailey Shaw Osha (Flores) Bob Haft Judith Gabriele Stacey Davis		Sophomore SO Junior JR Senior SR	Fall
Education and Empowerment-Understanding Critical Race Theory and Qualitative Research revised Grace Huerta and Leslie Flemmer African American studies community studies cultural studies education field studies gender and women's studies language studies law and public policy	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter		Are educators challenged to meet the needs of diverse learners in the public schools? While scholars generate research to illuminate the lived experiences of marginalized students, why are such findings missing from educational policy, curriculum development and teacher practice today? As we strive to make connections between critical race theory and schooling, we argue that the voices of diverse populations are necessary for a thorough analysis of the educational system.In order to pursue these essential questions, our program will interrogate how dominant theories of learning and knowledge are often legitimized without regard for race, class, culture and gender. Critical race theory (CRT) provides a framework to consider multiple perspectives specific to history, diaspora, language and power. Through these perspectives, we will analyze diverse ways of knowing that inform new systems of educational policy and teacher praxis. This work will be useful for those students considering graduate school in educational policy, qualitative research and teacher preparation.Through the fall and winter, we will practice qualitative methods to describe and analyze diverse perspectives through our community service in the schools and field research. Student teams will conduct their own project and learn how to: 1) identify a research problem and question; 2) select qualitative research methods (i.e. participant observation, counter-narratives and oral history) to answer their question and prepare a human subjects application; 3) complete a literature review; 4) collect, code and analyze data; and, lastly; 5) write and present their research findings to targeted audiences.Over the course of this program, students will develop analytical skills to identify how CRT frameworks inform institutional practices. Program participants will meet with educators, advocates and students to analyze the various theories at play in various sites of study, as well as in the classroom. In order to demonstrate their understanding of CRT and qualitative research, students will complete a formal paper for possible conference submission, a policy brief or grant proposal, and recommendations to present to community stakeholders.		Grace Huerta Leslie Flemmer	Mon Tue Thu	Sophomore SO Junior JR Senior SR	Fall
The Empty Space: Movement, Dance and Theatre Walter Grodzik and Cynthia Kennedy aesthetics consciousness studies cultural studies dance education media arts queer studies somatic studies theater	Program	FR ONLYFreshmen Only	16	16	Day			S 14Spring	How does imagination respond to the emotional self, the physiology of the body and the psychology of the mind? How can we become more expressive and responsive to our inner selves? This program will explore the interior spaces where performances begin and the exterior spaces where performances are realized. Through the understanding and embodiment of somatic concepts such as awareness, intention, centering, authenticity and the interplay of mind and body, students will have the opportunity to explore the creative imagination as it expresses itself from their own life processes, rather than from externally imposed images, standards and expectationsStudents will begin with movement and theatre exercises that center and focus the mind and body in order to open oneself to creative possibilities and performance. Students will also study movement/dance and theatre as a means of physical and psychological focus and flexibility that enable them to more fully utilize their bodies and emotional selves in creating theatrical performance. Students will be invited to explore and enjoy the dance already going on inside their bodies to learn to perceive, interpret and trust the natural intelligence of intrinsic bodily sensations. The class will use experiential techniques derived from several traditions of somatic philosophy. In seminar, students will read a broad variety of texts about creativity, dance, theatre and dramatic literature.The program will include weekly seminars, workshops in movement/dance and theatre and film screenings of various dance and theatre productions. We welcome students of all abilities who bring their excitement, commitment and creativity to the performing arts.	teaching, theatre, expressive arts, dance and movement theory.	Walter Grodzik Cynthia Kennedy		Freshmen FR	Spring
The Epic and The Everyday revised Ulrike Krotscheck and Marilyn Freeman classics cultural studies literature media arts media studies moving image visual arts writing	Program	FR–SRFreshmen - Senior	16	16	Day	F 13 Fall	W 14Winter		Must quotidian always be associated with humdrum? Rather, it is perhaps the quotidian—the everyday, the banal—that, in the long run, heroically ensures the survival of the individual and the group as a whole. -Michel Maffesoli, An “epic” is generally defined as a poem or narrative of considerable length, which explores grand themes such as a hero’s journey, or the origin myth of a country or peoples. As an adjective, “epic” refers to something that is larger than life and often extra-ordinary. By contrast, the “everyday” is flatly defined as ordinary and is often seen as boring, trivial, and lacking in grandeur. Yet, the “everyday” has a rich creative history and garners remarkable attention in contemporary art, spiritual practices, and other areas of study and praxis. Our lives are made up of both the epic and the everyday; both are integral components of the human experience. And the tension that exists between the two is rich territory for insight and imagination.This program interrogates how the essence of the epic enters the everyday and how the quotidian gives meaning to the epic.We will juxtapose the exploration of the “epic” as a literary form with the exploration of the “everyday” as a creative practice that engages experiments in text, sound, and image. We will conduct these explorations through readings, film screenings, analyses, lectures, workshops, seminars, and by developing discovery strategies rooted in the creative practices of writing nonfiction and of crafting video essays.During fall quarter students will read ancient Greek epic poetry, myth, and tragedy. These works tap deeply into the human condition, and they explore our most persistent and universal questions, such as the concepts of destiny, power, morality, mortality, and the (in-)evitabilty of fate. As we analyze the grand questions raised by epic texts we will also consider if or how we encounter such themes in everyday life. Conversely, we will examine how everyday life may intersect with epic-scale experiences and insights.To facilitate these considerations students will develop a daily writing practice and craft a variety of creative nonfiction essays—meditative, lyrical, personal, and hybrid forms—and we will factor into our studies exemplars that engage thematically with the everyday. Fall quarter explorations will move off the page to incorporate sound and image as tools for creative and critical inquiry. Students will take a series of electronic media workshops and gain hands-on experience with audiovisual scriptwriting, audio recording, photography, and video editing. Fall quarter will conclude with students applying their creative writing skills and electronic media competencies in collaboratively crafted video essays that blend students' literary works with audio and images to explore the realm between the epic and the everyday.During winter quarter we will deepen our investigations into the epic and the everyday through additional readings and analyses of classic Greek texts and by furthering our audiovisual inquiries. One goal of this quarter will be to advance students’ understanding of various film and adaptation theories to put into practice in their individual work. Winter quarter will conclude with rigorous individual projects that encompass a research paper on sources and methods of adaptation, and an independently made video essay.This is a full-time program emphasizing classical Greek literature and media arts, creative and critical practice, collaborative learning, and individual accountability. Expect assignments to be process-driven, highly structured, and challenging. Students are expected to participate fully in all program activities, and to work about 40 hours per week including class time. If you’re eager to blend the study of Ancient Greek literature with experiments in media arts, then this program is for you.		Ulrike Krotscheck Marilyn Freeman		Freshmen FR Sophomore SO Junior JR Senior SR	Fall
Imagination, Creativity and Innovation new Ariel Goldberger consciousness studies cultural studies dance education leadership studies media arts music philosophy psychology sociology theater visual arts writing Signature Required: Fall Winter	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter		This academic offering is devoted to studies, research and explorations of creativity, imagination and innovation from various disciplinary and inter-disciplinary frames of reference. This program will take the original focus on collaborative education and interdisciplinarity of the college very seriously and will rely on student energy, interest and initiative. Students will be asked to collaborate with the faculty to design, direct, and engage a program of studies focused on the latest developments in the study of creativity, imagination, and innovation. The goal is to endow studies with personal relevance, agency, and passion. The faculty will act as a facilitator and guide helping you when difficulties arise, but may not be able to provide expertise in all areas.Students will be strongly encouraged to pursue their interests, to weave them into the class to create a vibrant learning community, and to organize their studies with unique combinations of subjects, imaginative modes of study, and activities. For example, students may study creativity by blending theory and practice, and through the lens of fields like psychology, myth studies, education, cultural studies, writing, literature, arts, consciousness studies, or any combination, including subjects not mentioned, agreed upon with the faculty. Participants will collaborate with the faculty to design common activities such as seminars, and an independent project, based on team or individual interests. Students are welcome to include, as part of their practicum, or project, internships in fields that foster creativity and imagination, and are advised to initiate the required paperwork with Academic Advising as necessary.Focused individuals with a lively sense of self-direction, discipline, and intellectual curiosity are strongly encouraged to apply.		Ariel Goldberger		Sophomore SO Junior JR Senior SR	Fall
Individual Study: Fiber Arts, Non-Western Art History, Native American Art, Creative Writing cancelled Gail Tremblay Native American studies art history cultural studies visual arts writing Signature Required: Fall Winter Spring	Contract	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	In the fields listed, Gail Tremblay offers opportunities for intermediate and advanced students to create their own course of study, creative practice and research, including internships, community service and study abroad options. Prior to the beginning of the quarter, interested individual students or small groups of students must describe the work to be completed in an Individual Learning or Internship Contract. The faculty sponsor will support students wishing to do work that has 1) skills that the student wishes to learn, 2) a question to be answered, 3) a connection with others who have mastered a particular skill or asked a similar or related question, and 4) an outcome that matters. Areas of study other than those listed above will be considered on a case-by-case basis. 12- or 16-credit options are available.		Gail Tremblay		Sophomore SO Junior JR Senior SR	Fall
Individual Study: Japanese Culture, Literature, Film, Society and Study Abroad Harumi Moruzzi cultural studies international studies language studies literature moving image study abroad Signature Required: Spring	Contract	SO–SRSophomore - Senior	16	16	Day			S 14Spring	This Individual Study offers two options for students: (1) to continue their studies of Japanese literature, culture and society, in the form of Individual Learning Contracts, and (2) to continue their Japanese language and culture studies by studying abroad in Japan. This Individual Study also offers opportunities for students who are interested in creating their own courses of study and research, including study abroad. Possible areas of study are Japanese studies, cultural studies, literature, art and film. Interested students should first contact the faculty via email ( at least 2 weeks before the Academic Fair for spring quarter.		Harumi Moruzzi		Sophomore SO Junior JR Senior SR	Spring
Ireland in History and Memory Sean Williams cultural studies history study abroad Signature Required: Fall	Program	JR–SRJunior - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	This yearlong program explores Ireland and Irish America through the lenses of history, literature, politics, spirituality, language, film and the arts. In fall quarter, we begin with Irish ways of understanding the world, focusing on the roots of pre-Christian spirituality and traditional culture. We will examine the blend of pre-Christian and Christian cultures in the first millennium C.E., and move forward to the layered impact of the Vikings, Normans and English. We end fall quarter with the Celtic Revival (Yeats, Joyce and others) at the turn of the 20th century. In winter quarter, we shift to Irish America for four weeks, then return to Ireland for the 20th century and into the present.Most weeks will include lectures, seminars, small group work, songs, play reading out loud, instrumental music practice, poetry, and a film. Short pre-seminar papers will be required to focus your attention on each week's texts. In fall quarter, three papers are required (on ancient Ireland, the English conquest, and the Celtic Revival). In winter, two large papers are required (on Irish America and contemporary Ireland). At least one work of visual art will be required in each quarter. The last week of fall and winter quarters will focus on collaborative student productions. Students will learn to cook Irish food for a food-and-music gathering once each quarter.Every student is expected to work intensively with the Irish-Gaelic language all year; no exceptions. Our work will include frequent lessons and short exams in grammar and pronunciation, as well as the application of those lessons to Gaelic-language songs and poetry. If you cannot handle Gaelic study or do not take it seriously, do not sign up for this program. Similarly, you will be expected to learn to sing and play Irish music on a musical instrument if you cannot already play one. We will practice this music each week, and we will be bringing musical instruments to Ireland.Early spring quarter, we will travel to the small village of Gleann Cholm Cille in Donegal, the northernmost county of the Republic. Students will spend four weeks improving their language skills, learning traditional skills (singing, dancing, poetry writing, drumming, tin whistle playing, weaving, knitting) and exploring the region, which is rich in archaeological features like standing stones and dolmens. Students will also have the opportunity to spend two weeks doing individual learning in Ireland; that project will become part of their final work. Upon their return at the end of May 2014, students will write a significant integrative essay, combining the theory of Irish Studies with what they have learned in the practice of living and studying in Ireland.		Sean Williams	Mon Tue Wed Thu	Junior JR Senior SR	Fall
Japan Today: Studies of Japanese History, Literature, Cinema, Culture, Society and Language Harumi Moruzzi and Tomoko Hirai Ulmer cultural studies history international studies language studies literature moving image Signature Required: Winter	Program	FR–SRFreshmen - Senior	16	16	Day and Evening	F 13 Fall	W 14Winter		Japan is a vital, energetic and dynamic country which has been constantly reinventing and revitalizing itself even in the midst of gargantuan natural disasters, while struggling to maintain a sense of cultural and social continuity from the long lost past. Meanwhile, the conception and image of Japan, both in Japan and throughout the West, has varied widely over time, mostly due to Japan’s changing political and economic situation in the world. In the late 19th century, when Japan re-emerged into Western consciousness, Lafcadio Hearn, the Greek-Irish-American writer who later became Japanese, thought of Japanese society and its people as quaintly charming and adorable. In contrast, Americans in the 1940s viewed Japan as frighteningly militaristic and irrational. The French philosopher/semiotician Roland Barthes was bewitched and liberated by Japan’s charmingly mystifying otherness during his visit in 1966, when Japan began to show its first sign of recovery from the devastation of the WWII. The Dutch journalist Karel Van Wolferen was disturbed by the intractable and irresponsible system of Japanese power in 1989, when the Japanese economy was viewed as threatening to existing international power relations. These examples show how Japan has been viewed by Westerners in the past. The idea and image of Japan is highly dependent on the point of view that an observer assumes and that history makes possible.This full-time interdisciplinary program is devoted to understanding contemporary Japan, its culture and its people, from a historical point of view. We will study Japanese history, literature, cinema, culture and society through lectures, books, films, seminars and workshops, including study of Japanese language embedded in the program. Three levels of language study (1st-, 2nd- and 3rd-year Japanese) will be offered for 4 credits each during the fall and winter quarters.In the fall quarter, we will explore the cultural roots of Japan in its history. In the winter quarter, we will examine Japan after 1952, when the Allied occupation ended. Special emphasis will be placed on the examination of contemporary Japanese popular culture and its position in economic and cultural globalization. Students who are interested in experiencing Japan in person can take Japanese language classes in Tokyo through Harumi Moruzzi’s Individual Study: Japanese Culture, Literature, Film, Society, and Study Abroad in spring quarter.		Harumi Moruzzi Tomoko Hirai Ulmer		Freshmen FR Sophomore SO Junior JR Senior SR	Fall
Latin American Women Writers Alice Nelson cultural studies gender and women's studies literature	Program	FR ONLYFreshmen Only	16	16	Day			S 14Spring	In recent decades, Latin America has become well known beyond its borders for compelling, politically urgent and aesthetically vibrant literary works. Contemporary writings by Latin American women, increasingly available in English translation, challenge preconceptions about gender and sexuality in the region, while also addressing critical issues of politically motivated violence, collective memory, intersecting oppressions, language, spirituality, democratization and social change. This program seeks to foster greater understanding of the region and its diverse peoples and perspectives. Writers will include Gloria Anzaldúa (U.S.), Rosario Castellanos (Mexico), Ana Lydia Vega (Puerto Rico), Rigoberta Menchú (Guatemala), Daisy Zamora (Nicaragua), Conceição Evaristo (Brazil), Cristina Peri Rossi (Uruguay), Luisa Valenzuela (Argentina) and Pía Barros (Chile), among many others.We will read novels, poetry, short stories and testimonials by Latin American (indigenous, mestiza, Afro-Latina) women writers, focusing on legacies of colonialism, authoritarianism and neoliberalism, as well as projects for contesting recent histories. We will situate our literary analysis within the historical and political events that shape Latin American women’s texts, and examine their critique of masculinist narratives that justify domination and exclude women’s voices. We will also view films by and about women, and examine women's and feminist movements in the region. Students will write literary analyses and some creative work, and will conduct research on a writer of their choice. Through this study, students will consider the impact of political, economic and cultural forces on Latin American women's lives and literary production, while also examining literary and film representations as sites of resistance.		Alice Nelson		Freshmen FR	Spring
Madness and Creativity: The Psychological Link revised Patricia Krafcik, Evan Blackwell and Carrie Margolin art history cultural studies literature psychology visual arts	Program	FR ONLYFreshmen Only	16	16	Day	F 13 Fall	W 14Winter		What is creativity? Is there a relationship between states of mind and a fertile imagination? What are the psychological mechanisms involved in the larger action of the human imagination, urging us to explore new avenues, to see what others have not seen, to create what no one has yet created? Many of the world's greatest writers, artists and thinkers have been known to struggle with conditions classified as abnormal by psychologists. We will explore these conditions and their impact on creativity, searching further for any special links between certain kinds of abnormal psychological conditions and the drive to create.Our interdisciplinary program is not intended to serve as therapy, but rather is a serious study of psychology, literature, the arts, imagination and the creative impulse. We will approach our questions through various modes of inquiry. Through an in-depth study of abnormal psychology, we will learn to identify and understand a number of conditions. We will investigate modern art history and its fascination with the art produced by individuals reputed to be cultural "outsiders," such as folk art, art of the insane, art brut and self-taught artists. Through this study we will explore how societies form a group identity which is established in relation to some designated "other." Our readings combine art theory with psychological case studies by writers such as Sacks and Ramachandran and with imaginative literature by Gogol, Dostoevsky, Poe, Kafka, Plath, Gilman and many others that all describe abnormal psychological conditions. We will respond to our readings by channeling the imagination with a variety of creative projects. Finally, we will also study the normal mind and how it functions in both mundane and creative ways.In both quarters of our program students will discuss assigned readings in seminars, will engage in active writing exercises and in rigorous two-dimensional and thre-dimensional visual art work in ceramics, mixed-media sculpture, collage, and drawing. Assignments may include research papers, poster projects, creative writing, performances and visual arts projects. Weekly films and discussions of these films will enhance our examination of the uses or influence of psychological conditions in the creation of literature, art and music. Guest speakers will provide additional workshops and lectures in various artistic modalities. In fall term we will take field trips to the Tacoma Art Museum and the Museum of Glass, and our work that term will prepare students to undertake a culminating project in winter term. In all our activities, students will have ample opportunities to explore their own creativity and imagination.		Patricia Krafcik Evan Blackwell Carrie Margolin		Freshmen FR	Fall
Music Intensive Arun Chandra aesthetics cultural studies music	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	How shall we study music? We can watch others doing it on YouTube, we can hear others doing it on YouPod or we can read about others doing it on YouKindle.Let's DO it! (Sadly, there's no "YouDo".)Let's study music by creating and performing it. After all, music's a thing made by the brain, the heart and the fingers.You'll be asked to sing, study an instrument and perform for others in the class, write vocal and instrumental arrangements and sing and perform them. The class environment will not be a competitive one: the goal is to stretch out and learn and challenge oneself and not compare one someone with another one someone. The study of music requires a commitment to practice, to listen, to remember and to learn. This program aims to offer you time in which to do just that.You'll learn about writing harmonies, singing them, and about how difficult it is to write vocal parts that are interesting both melodically and harmonically. There will be a strong emphasis on ear training, sight singing and aural dictation, along with studies in tonal harmony. You'll be asked to write and perform musical canons. We'll study the history of Western classical music, jazz music from the early 20th century, popular music of the past 50 years and experiments in music composition as well. There will be regular listening sessions, along with readings from the arts.In class, students will be assigned performance groups, and each group will be asked to prepare a vocal or instrumental work. This will happen twice each quarter. Rehearsal time will be set aside for such practice, and the faculty will act as a coach for the rehearsals. Each quarter, students will be asked to write one substantial research paper exploring an aspect of music they are unfamiliar with. There will be class trips to concerts in Seattle and Portland, along with visiting guest artists throughout the year. During spring quarter, students will be working on independent projects under faculty supervision. These projects will be developed and submitted by the end of winter quarter. They should combine research and study with creativity and performance, culminating in an end-of-spring-quarter mini-conference, with students delivering both research presentations and musical performances.In addition to classroom activities, each student will be expected to take instruction in a musical instrument outside of class and bear the cost of that instruction (the faculty member can help you find a teacher for your instrument). Practicing an instrument is a way to bring together the seemingly separate activities of the brain, the heart and the fingers: it concretizes music theory, gives a goal to the wobbling fingers and releases the heart from its regularity of "thump thump thump".		Arun Chandra		Freshmen FR Sophomore SO	Fall
Music, Mind and Motion revised Ratna Roy and Joseph Tougas consciousness studies cultural studies dance literature music philosophy	Program	FR ONLYFreshmen Only	16	16	Day	F 13 Fall	W 14Winter		Have you ever felt that your mind and your body were just “out of sync”? How about the other experience—when your mind and body were working together flawlessly, when you felt “in the flow”? These kinds of experiences invite other questions about the relation between the mind and the body, questions that have been the focus of thinking and research in cultures around the world. There is, for examples, a tradition in Western philosophy that has emphasized the separation between the mind and the body. Other traditions emphasize their interaction and unity. Does the mind control the body? Or is it the other way round? What can we learn about these questions if we challenge ourselves to use our bodies to interact precisely and skillfully with others? This is the kind of thing people do when they learn to move together in dance, or to raise their voices in song.This program will explore the connections between the mind and the body through the media of music and dance. We will learn about the scientific investigation of the interaction between mind and body, especially in connection with the kinds of social activities that bring people together in communities of artistic endeavor—for example, a jazz band or dance group. We will examine both Eastern and Western philosophical traditions to see what we can learn about different ways of understanding the relationship between the mind and body as manifested in disciplines of motion and rest. We will also engage in practice involving music and dance, experiencing first hand the unity of thought and action.The work of the program will include reading literature from a variety of cultures as well as philosophical and scientific texts. Students will write short essays on the weekly readings in preparation for seminar discussions. They will also participate in workshop activities learning musical and dance skills. During the fall quarter the workshop emphasis will be on building skills; during winter our attention in the workshops will be directed toward creating and presenting music and dance in performance.		Ratna Roy Joseph Tougas		Freshmen FR	Fall
The Nature and Evolution of Human Psychology Heesoon Jun and Bret Weinstein biology communications consciousness studies cultural studies psychology	Program	FR ONLYFreshmen Only	16	16	Day	F 13 Fall	W 14Winter		The human mind is perhaps the most fascinating, and least understood, product of Darwinian evolution. In this program we will endeavor to understand how the mind functions and why it has come to work in the way that it has. We will study human psychology as modern empirical science has come to understand it, and we will combine that hybrid model with a consideration of the evolutionary path humans have traversed, as well as a deep investigation of those portions of evolutionary theory most relevant to hominid cognition, perception and behavior. Our program will seek to unify important conclusions from multiple schools of thought within psychology as we consider humans from a broadly cross-cultural perspective. We will range from the Jungian to the Cognitive, and from the modern !Kung people of the Kalahari to the ancient Maya of Central America. Our objective is to generate an integrative model of the human mind that can accommodate humans as individuals and as interdependent social beings.Winter materials will build on content covered in the fall. There will be educational value and intellectual reward for staying in the program both quarters.	biology, psychology, health related studies, human and social services.	Heesoon Jun Bret Weinstein	Tue Tue Wed Wed Fri Fri	Freshmen FR	Fall
Nikkei in the Pacific Northwest: "We carry strength, dignity and soul" revised Chico Herbison and Frances V. Rains American studies cultural studies history literature	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall			—Lawson Fusao Inada, Japanese American poetFor Nikkei (Japanese emigrants and their descendants, including “war brides” and a “mixed-race” population) in the United States, World War II was a historical, cultural, social, and political watershed. Permanent settlements of immigrant Japanese were first established on the U.S. mainland in the latter half of the 19 century and, in spite of anti-Japanese sentiment and legislative efforts, those communities grew and flourished. However, they would be forever transformed with the outbreak of war and the subsequent removal, detention, and incarceration of 110,000 Nikkei in ten “War Relocation Camps” spread across the country, from California to Arkansas. Forcibly uprooted and imprisoned, families left behind tangible assets (homes, businesses, bank accounts), but perhaps more devastating were the ensuing collapse of communities and the loss of a way of life. They were allowed to take with them, into the unknown, “only what they could carry.” Students in this program will explore the rich history and culture of Nikkei, from their first arrival in this country, through the traumatic events of the World War II period, and beyond. Although we will examine the overall experience of Nikkei in the U.S., our particular focus will be on those in the Pacific Northwest. Accompanying us on our interdisciplinary journey will be historical studies, oral testimony, fiction and poetry, photographs and film, and music, among other texts and tools. We will immerse ourselves in topics such as the earliest Japanese immigration; the 19 - and 20 -century struggles against discrimination and exclusion; the World War II watershed years (including an examination of the often-overlooked resistance movement in the camps, and the legendary exploits of Nikkei soldiers in both theaters of the war); the post-war efforts by Nikkei to reassemble their lives and, for some, to seek redress and reparations; the saga of Japanese “war brides” (women who married U.S. servicemen in Occupied Japan and eventually migrated stateside); and the world of “mixed-race” Nikkei. It is only through such an immersion that we will begin to understand the ways in which this population carried, and continues to carry, “strength, dignity and soul.”Each student will read a series of seminar books and articles related to program topics and themes, participate in weekly seminars and write weekly seminar papers, participate in workshops, and screen and critically analyze films. In addition, there will be field trips to Pacific Northwest locations with Nikkei historical and cultural connections. Finally, students will complete substantial, individual research projects and make summative presentations of their work.		Chico Herbison Frances V. Rains	Mon Mon Wed Thu Thu	Sophomore SO Junior JR Senior SR	Fall
Nonfiction Media: Animation, Documentary and Experimental Approaches to the Moving Image revised Anne Fischel and Ruth Hayes communications cultural studies media arts media studies moving image Signature Required: Fall	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring			Anne Fischel Ruth Hayes		Sophomore SO Junior JR Senior SR	Fall
On the Greyness of Blackness: In Search of a Post-Soul Aesthetic revised Chico Herbison African American studies American studies cultural studies literature writing	Program	JR–SRJunior - Senior	16	16	Day		W 14Winter		(1) Queue up Danger Mouse’s magnificent mash-up, . (2) Traverse the rich critical and cultural landscape of Kevin Young’s . (3) Enter the outrageous world of , whose author, Paul Beatty, was described by writer Jessica Hagedorn as “a nineties Richard Pryor peaking ecstatically on acid.” (4) Discover an aesthetic—variously called “new black,” “post-soul,” and “post-black”—shaped and powered by a group of contemporary African Americans scholars and artists who complicate, in both bold and nuanced fashion, definitions and discussions of this thing called “blackness.” Scholar Mark Anthony Neal employs the “post-soul” label to describe “the political, social, and cultural experiences of the African-American community since the end of the civil rights and Black Power movements.” On the front lines of capturing those experiences is a group of contemporary African American artists whose explorations of the race-identity nexus consistently eschew essentialist notions and, instead, embrace cultural hybridity, multivocality, intersectionality, and intertextuality . . . they insist on “the greyness of blackness.” This program is designed for students seeking advanced study of African American culture in general, and contemporary African American literature in particular. Our primary texts will be fiction: Paul Beatty’s , Danzy Senna’s , Colson Whitehead’s , Percival Everett’s , Jake Lamar’s , and Darius James’s , among others. Our supplemental texts will include essays, poetry, drama, film, and hip-hop music.We will devote two weekly seminars (one facilitated by students) to close readings of written texts, and engage in equally close readings of film and music. In addition to short weekly writing assignments, there will be a major research paper (20–25 pages). Field trips will include museum visits, off-campus films, and music venues.		Chico Herbison	Tue Tue Thu Thu Fri	Junior JR Senior SR	Winter
Orissi Dance and Music of India Andrew Buchman and Ratna Roy cultural studies dance gender and women's studies music	Program	FR–SRFreshmen - Senior	16	16	Day			S 14Spring	We will focus on the dance and music culture of central eastern India, specifically the art-rich state of Orissa. While some music or dance background would be useful, it is not necessary. This is a culture and history offering, along with some practical hands-on experience in dance and music. We will immerse ourselves in both the history and sources of this ancient culture of dance and music, and its active contemporary scene. Our readings will include cutting-edge articles and book chapters exploring themes such as gender, colonial history and post-colonial theory and the economic ferment that is transforming many aspects of Indian society today. In seminars, we'll compare and contrast ancient and modern, Indian and American aesthetics, world views, values and attitudes. In workshops, we will explore the rich vocabularies of sound and movement that make Orissa's traditional performing arts so rewarding to study.The first evidence of Orissa's dance and music culture is preserved in sculptures and images that are about 2,000 years old. The culture thrived for centuries before it declined under colonial rule in the 1800s, and began to revive in the 1950s and 60s after India became an independent nation-state. This revival still continues, and we will be a part of that effort. Dancers, musicians and scholars will work together and re-create the tradition for our own times. At the end of the quarter, we will present a performance incorporating music and dance from Orissa at various levels of skill so that most students can participate.Some previous training in dance or music would be useful, but is not expected. Students who don't wish to focus on music or dance performance can pursue a research option, in consultation with faculty.		Andrew Buchman Ratna Roy	Tue Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Spring
Passages: American Comings-of-Age cancelled Chico Herbison American studies cultural studies literature writing	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter		—Mary Frosch This two-quarter program will explore the complex ways in which American individuals, groups and the United States itself come of age. We will immerse ourselves in rites (and rights) of passage as captured in art—primarily through literature and writing, but also as revealed in film, music and other forms. Individuals and groups, on lifelong journeys, navigate relationships, encounter crises, grow and change and move from childhood to adulthood. Like Joseph Campbell’s archetypal hero, people leave home (literally and/or figuratively), encounter and slay demons (recognize and solve problems) and return home forever transformed: they come of age (live happily ever after). Stories of passage from “the Old World” (both voluntary and coerced) set beside stories from the people who already were here chronicle the further realignment and redefinition of this nation, often in destructive ways. American literature explores racial, gender and other forms of “passing.” All of the Americas experienced critical convergences of social, cultural, political and other forces that moved them from infancy through childhood to adolescence to…what? Military involvement abroad, continuing domestic turmoil and various cultural divides mark an uneasy passage into our 21st century. We will focus on “minority” voices who will help us to define the "American" story. In fall quarter, we will read a wide range of ethnic “minority” fiction and nonfiction and will write our personal accounts of passages in essay and creative nonfiction forms. In winter quarter, we will shift from ethnicity to other forms of “minority” status, including those associated with class, gender, sexual orientation, religion, position (as in family) and ability. Winter quarter's writing will be nonfiction and adaptations to fiction. Throughout the program, students will work individually and collaboratively to strengthen their critical and creative writing skills and, ultimately, to tell their own coming-of-age stories.		Chico Herbison		Freshmen FR Sophomore SO	Fall
Reading Landscapes: Earth Science and Literature Trevor Speller and Abir Biswas aesthetics cultural studies environmental studies geology literature natural history writing	Program	FR–SOFreshmen - Sophomore	16	16	Day			S 14Spring	This program is dedicated to understanding the back and forth between the physical environment and the written word. How do texts shape what we are able to see in the physical environment? How does one's understanding of the physical environment shape ways of writing and understanding the world? How do we describe it? What do we read into it?In 1815, William Smith produced the first geological map of Great Britain. His investigations were a product of a new way of seeing his physical world. Rather than assuming the earth to be a stable object which remained unchanged since Noah’s flood, Smith drew on his observations, and began to see the earth as a dynamic physical entity. His discoveries came in a time when Enlightenment thinkers were questioning the order of the world, the role of religion and the value of science and industry. The modern science of geology can thus be said to have arisen from a new way of seeing: William Smith was able to read and write about the Earth not only through observations, but because of the set of cultural changes that changed his frame of mind. Importantly, Smith's observations came at a time when poets, novelists and political philosophers were beginning to actively investigate the influence of the natural world on humans and human behavior.We will consider the frames through which we read and write our physical world, through an introduction to foundational concepts in geology and literary study. We will consider how geologists investigate and describe the physical world, and examine concepts including geologic time, plate tectonics, earth materials and the evolution of life. We will consider how writers investigate and describe the natural world in the works of 18th- and 19th-century literature, as well as contemporary literature about the Pacific Northwest. We will read works of poetry, fiction, political philosophy and travel writing. Program texts may include works by John McPhee, Simon Winchester, William Wordsworth, Daniel Defoe and others.Students should expect to participate in lecture, lab and seminar, write critical papers and take examinations. There will also be field trips to locations of geological interest as well as cultural venues.		Trevor Speller Abir Biswas		Freshmen FR Sophomore SO	Spring
Re-Imagining the Body Hirsh Diamant and Cindy Beck cultural studies health visual arts	Program	FR–SRFreshmen - Senior	8	08	Evening and Weekend			S 14Spring	This interdisciplinary program will explore how the human body was imagined by Eastern and Western cultures and how we can re-imagine the body to achieve better health and a greater sense of well-being. In particular we will study organs and body systems, look at the ways the body was imagined in Western scientific illustration and in alchemical images, Chinese diagrams, and Tibetan paintings. We will look at major organs and body systems from physical, physiological, and spiritual perspectives, practice medical illustration, and explore new ways of understanding and representing the interdependent work of a healthy body. Our study will also include an introduction to energy systems and alternative medicine.Credits will be awarded in medical illustration, cultural studies, and anatomy.		Hirsh Diamant Cindy Beck	Wed Sat	Freshmen FR Sophomore SO Junior JR Senior SR	Spring
Reservation-Based, Community-Determined Program: Contemporary Indian Communities in a Global Society - Muckleshoot TBA Native American studies community studies cultural studies economics government history law and government policy law and public policy leadership studies political science	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This program teaches from a Native-based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal-specific issues. This program will prepare students to understand the structural inequalities of wealth and economic development. Students will also examine social problems in Native communities through multiple methods and perspectives. Students will understand the impacts of social and political movements, both past and present, by comparing Indigenous societies in the world.The theme for fall quarter is "Indigenous Pathways to Rich and Thriving Communities." Students will examine the field of community and economic development and explore contemporary economic development issues in tribal communities. Students will study the values, vision and principles that guide community and economic development efforts, the process of development, and change strategies such as asset building and community organizing. The course will focus on the promotion of equity and address critical issues such as poverty, racism and disinvestment."Building Healthy Communities" is the theme for winter quarter. During this quarter, students will examine the field of social problems and social policies in a wide range of areas. Students will explore the underlying drive that guides efforts to identify and resolve social problems that challenge society at large and tribal communities in particular, and review the process of building healthy communities and how change strategies are implemented. The theme for spring quarter is "Comparing Indigenous Societies through Social and Political Movements." Students will use a variety of methods, materials and approaches to interpret, analyze, evaluate and synthesize the impact of indigenous peoples' history and policies on 21st century Indigenous societies. Students will focus on movements and activism that changed Indigenous societies at various levels of the social/political landscape from local to international.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods, the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined fields of study.		TBA		Junior JR Senior SR	Fall
Reservation-Based, Community-Determined Program: Contemporary Indian Communities in a Global Society - Nisqually TBA Native American studies community studies cultural studies economics government history law and government policy law and public policy leadership studies political science	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This program teaches from a Native-based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal-specific issues. This program will prepare students to understand the structural inequalities of wealth and economic development. Students will also examine social problems in Native communities through multiple methods and perspectives. Students will understand the impacts of social and political movements, both past and present, by comparing Indigenous societies in the world.The theme for fall quarter is "Indigenous Pathways to Rich and Thriving Communities." Students will examine the field of community and economic development and explore contemporary economic development issues in tribal communities. Students will study the values, vision and principles that guide community and economic development efforts, the process of development, and change strategies such as asset building and community organizing. The course will focus on the promotion of equity and address critical issues such as poverty, racism and disinvestment."Building Healthy Communities" is the theme for winter quarter. During this quarter, students will examine the field of social problems and social policies in a wide range of areas. Students will explore the underlying drive that guides efforts to identify and resolve social problems that challenge society at large and tribal communities in particular, and review the process of building healthy communities and how change strategies are implemented. The theme for spring quarter is "Comparing Indigenous Societies through Social and Political Movements." Students will use a variety of methods, materials and approaches to interpret, analyze, evaluate and synthesize the impact of indigenous peoples' history and policies on 21st century Indigenous societies. Students will focus on movements and activism that changed Indigenous societies at various levels of the social/political landscape from local to international.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods, the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined fields of study.		TBA		Junior JR Senior SR	Fall
Reservation-Based, Community-Determined Program: Contemporary Indian Communities in a Global Society - Peninsula TBA Native American studies community studies cultural studies economics government history law and government policy law and public policy leadership studies political science	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This program teaches from a Native-based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal-specific issues. This program will prepare students to understand the structural inequalities of wealth and economic development. Students will also examine social problems in Native communities through multiple methods and perspectives. Students will understand the impacts of social and political movements, both past and present, by comparing Indigenous societies in the world.The theme for fall quarter is "Indigenous Pathways to Rich and Thriving Communities." Students will examine the field of community and economic development and explore contemporary economic development issues in tribal communities. Students will study the values, vision and principles that guide community and economic development efforts, the process of development, and change strategies such as asset building and community organizing. The course will focus on the promotion of equity and address critical issues such as poverty, racism and disinvestment."Building Healthy Communities" is the theme for winter quarter. During this quarter, students will examine the field of social problems and social policies in a wide range of areas. Students will explore the underlying drive that guides efforts to identify and resolve social problems that challenge society at large and tribal communities in particular, and review the process of building healthy communities and how change strategies are implemented. The theme for spring quarter is "Comparing Indigenous Societies through Social and Political Movements." Students will use a variety of methods, materials and approaches to interpret, analyze, evaluate and synthesize the impact of indigenous peoples' history and policies on 21st century Indigenous societies. Students will focus on movements and activism that changed Indigenous societies at various levels of the social/political landscape from local to international.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods, the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined fields of study.		TBA		Junior JR Senior SR	Fall
Reservation-Based, Community-Determined Program: Contemporary Indian Communities in a Global Society - Port Gamble TBA Native American studies community studies cultural studies economics government history law and government policy law and public policy leadership studies political science	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This program teaches from a Native-based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal-specific issues. This program will prepare students to understand the structural inequalities of wealth and economic development. Students will also examine social problems in Native communities through multiple methods and perspectives. Students will understand the impacts of social and political movements, both past and present, by comparing Indigenous societies in the world.The theme for fall quarter is "Indigenous Pathways to Rich and Thriving Communities." Students will examine the field of community and economic development and explore contemporary economic development issues in tribal communities. Students will study the values, vision and principles that guide community and economic development efforts, the process of development, and change strategies such as asset building and community organizing. The course will focus on the promotion of equity and address critical issues such as poverty, racism and disinvestment."Building Healthy Communities" is the theme for winter quarter. During this quarter, students will examine the field of social problems and social policies in a wide range of areas. Students will explore the underlying drive that guides efforts to identify and resolve social problems that challenge society at large and tribal communities in particular, and review the process of building healthy communities and how change strategies are implemented. The theme for spring quarter is "Comparing Indigenous Societies through Social and Political Movements." Students will use a variety of methods, materials and approaches to interpret, analyze, evaluate and synthesize the impact of indigenous peoples' history and policies on 21st century Indigenous societies. Students will focus on movements and activism that changed Indigenous societies at various levels of the social/political landscape from local to international.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods, the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined fields of study.		TBA		Junior JR Senior SR	Fall
Reservation-Based, Community-Determined Program: Contemporary Indian Communities in a Global Society - Quinault TBA Native American studies community studies cultural studies economics government history law and government policy law and public policy leadership studies political science	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This program teaches from a Native-based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal-specific issues. This program will prepare students to understand the structural inequalities of wealth and economic development. Students will also examine social problems in Native communities through multiple methods and perspectives. Students will understand the impacts of social and political movements, both past and present, by comparing Indigenous societies in the world.The theme for fall quarter is "Indigenous Pathways to Rich and Thriving Communities." Students will examine the field of community and economic development and explore contemporary economic development issues in tribal communities. Students will study the values, vision and principles that guide community and economic development efforts, the process of development, and change strategies such as asset building and community organizing. The course will focus on the promotion of equity and address critical issues such as poverty, racism and disinvestment."Building Healthy Communities" is the theme for winter quarter. During this quarter, students will examine the field of social problems and social policies in a wide range of areas. Students will explore the underlying drive that guides efforts to identify and resolve social problems that challenge society at large and tribal communities in particular, and review the process of building healthy communities and how change strategies are implemented. The theme for spring quarter is "Comparing Indigenous Societies through Social and Political Movements." Students will use a variety of methods, materials and approaches to interpret, analyze, evaluate and synthesize the impact of indigenous peoples' history and policies on 21st century Indigenous societies. Students will focus on movements and activism that changed Indigenous societies at various levels of the social/political landscape from local to international.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods, the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined fields of study.		TBA		Junior JR Senior SR	Fall
Reservation-Based, Community-Determined Program: Contemporary Indian Communities in a Global Society - Tulalip TBA Native American studies community studies cultural studies economics government history law and government policy law and public policy leadership studies political science	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This program teaches from a Native-based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal-specific issues. This program will prepare students to understand the structural inequalities of wealth and economic development. Students will also examine social problems in Native communities through multiple methods and perspectives. Students will understand the impacts of social and political movements, both past and present, by comparing Indigenous societies in the world.The theme for fall quarter is "Indigenous Pathways to Rich and Thriving Communities." Students will examine the field of community and economic development and explore contemporary economic development issues in tribal communities. Students will study the values, vision and principles that guide community and economic development efforts, the process of development, and change strategies such as asset building and community organizing. The course will focus on the promotion of equity and address critical issues such as poverty, racism and disinvestment."Building Healthy Communities" is the theme for winter quarter. During this quarter, students will examine the field of social problems and social policies in a wide range of areas. Students will explore the underlying drive that guides efforts to identify and resolve social problems that challenge society at large and tribal communities in particular, and review the process of building healthy communities and how change strategies are implemented. The theme for spring quarter is "Comparing Indigenous Societies through Social and Political Movements." Students will use a variety of methods, materials and approaches to interpret, analyze, evaluate and synthesize the impact of indigenous peoples' history and policies on 21st century Indigenous societies. Students will focus on movements and activism that changed Indigenous societies at various levels of the social/political landscape from local to international.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods, the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined fields of study.		TBA		Junior JR Senior SR	Fall
Sacred Intersections: The Arts of Medieval Christianity and Middle Islam Suzanne Simons and Ann Storey aesthetics art history consciousness studies cultural studies history religious studies visual arts	Program	SO–SRSophomore - Senior	8	08	Evening	F 13 Fall	W 14Winter		This two-quarter program will examine a thousand-year period of Christian and Islamic art, art history, poetry, and mysticism from roughly the 4th through 14th centuries. This was a singular period of creativity, spirituality, and change. We will study the motivating ideas and issues of the age: the dynamic influence of migrating tribal cultures on inherited classical traditions, the problem of iconoclasm, and Neoplatonic philosophy expressed through the visions of the mystics. The idea that both mystic and artist were "seers"—seeing beyond the physical into the transcendent and metaphysical—impelled them into visionary realms. We will learn about the mysticism of Hildegard of Bingen, Meister Eckhart, Sufi poets, and other charismatic figures as we see their visions expressed in superb mosaics, illuminated manuscripts, stained glass, sculpture, calligraphy, sacred geometry, miniature painting, and sacred architecture of European Christendom and Islamic empires stretching from Spain to Central Asia. Sacred music of the era will be experienced through recordings and a possible field trip. Art workshops will enable students to move from theory to practice.		Suzanne Simons Ann Storey	Tue Thu	Sophomore SO Junior JR Senior SR	Fall
Self-Determination in Latin America: Mexico revised Tom Womeldorff, Catalina Ocampo and Alice Nelson anthropology cultural studies economics gender and women's studies history literature political economy	Program	FR–SRFreshmen - Senior	16	16	Day		W 14Winter		The recent history of Latin America can be described as a struggle for self-determination, from the wars of independence to the present-day unequal footing in the world economic system. Taking Mexico as a case study, we will explore how questions of self-determination have shaped Latin America and the lives of the various communities that constitute the region. We will focus, in particular, on the different roles that culture, politics, and economics have played in struggles for self-determination and investigate the tensions and symbioses between them. We will ask ourselves: What roles do culture and economics play as tools of self-determination? How can culture facilitate processes of self-determination at moments when political or economic self-determination is not possible? What are the limitations on the use of culture when one has limited political and economic self-determination? What role do third parties play in struggles for self-determination and how do we situate ourselves with regards to various processes of self-determination in Latin America?Our study of various groups and communities within Mexico and across its borders to the north and to the south will illuminate the country’s diversity, while also highlighting the connections between personal, national, and regional politics in Latin America. We will explore how self-determination is manifested in relationships of class, gender and ethnicity and study the specific ways in which struggles for self-determination have emerged in Mexico from the nineteenth century to the present. We will focus on various historical moments and issues including nation-building efforts and conflicts with the United States in the nineteenth century; issues of violence and class during the Mexican Revolution; contradictory uses of Indigenismo; popular movements and state repression in the 1960s and 70s; the emergence of the Zapatista movement; the economic impact of NAFTA; and questions of economic development and cultural identity during recent migrations to the United States.Throughout the quarter, we will engage historical and contemporary realities in Mexico using multiple frameworks from the humanities and the social sciences. In the process, we will introduce literary and cultural theory, as well as economic theories of capitalist development. Students will gain an in-depth ability to interpret literary texts in their social contexts, and to use economic models to understand specific aspects of Latin American societies. This program will involve frequent writing assignments and develop skills in visual analysis.		Tom Womeldorff Catalina Ocampo Alice Nelson		Freshmen FR Sophomore SO Junior JR Senior SR	Winter
Skin Amy Cook and Chico Herbison biology cultural studies literature physiology writing	Program	FR ONLYFreshmen Only	16	16	Day			S 14Spring	—Alicia Imperiale, “Seminal Space: Getting Under the Digital Skin” Organ, membrane, boundary and border. Canvas, map, metaphor and trope. Skin is the identity that all animals present to the world. It has multiple physiological functions and takes a wide variety of forms, from the simple epidermis of a sea anemone to the complex light show of a squid or the intricate system of spines that protects a porcupine. In human culture, skin functions as a marker of “race”/ethnicity, age and gender; provides a canvas on which to create very personal forms of art and cultural narratives; and, in the 21st century, has become a critical site of interface between the “real” and the virtual.In this program we will look at skin through the lenses of biology, culture and art. The biology of skin includes its visual and olfactory role in communication, its structure and physiology and its role in defense of the body from both microbes and large predators. Our exploration of skin in/as culture and art will include encounters with the mythology of “race,” body modification (piercing, tattooing and plastic surgery) and the posthuman meanings of skin (in cyberspace and in the world of cyborgs, androids and prosthetics).Program activities will include lectures; labs in which we will examine the microscopic structure of skin and learn about the various structures that arise from it, including scales, feathers and hair; seminars on a selection of texts (books, films and other texts) that look at skin from a variety of different perspectives; and workshops in which students will explore skin through their own creative writing. Students will have the opportunity to develop a deeper understanding of biology and humanities in an interdisciplinary setting, as well as sharpen their critical thinking and reading and college writing skills.	biology and the humanities.	Amy Cook Chico Herbison		Freshmen FR	Spring
Stalin and Stalinism cancelled Robert Smurr cultural studies history political science	Program	FR–SRFreshmen - Senior	16	16	Day	F 13 Fall			What explains the rise of Joseph Stalin, one of the 20th century's most vicious and powerful dictators? How can we understand the survival and persistence of his legacy still today, six decades after his death? How did this longest ruling leader of the Soviet Union, responsible for the murder of at least 20 million of his fellow citizens, transform a relatively backward empire into an undisputed world power? Join us as we trace how this initially insignificant radical young Georgian revolutionary by the name of Ioseb Jughashvili managed to climb through the ranks to become Joseph, the “Man of Steel,” leader of the Soviet Union and one of the most insidious butchers of the previous century.Stalin is a pivotal figure not only in Russian and Soviet history, but also world history. Through his mandates, he had a phenomenal impact on the country’s art, literature, politics, courts, prisons, economy and agricultural and urban life. Guided by Stalin, the USSR abolished private property; compelled peasants to work on state-owned collective farms; forced rapid industrialization throughout the empire; redefined education and political loyalty; sent millions of citizens to notorious Gulag "work camps"; and proudly declared war against nature.At the same time, Stalin's USSR also did more than any other country to crush Nazi Germany. And under his rule, the USSR transformed a mostly illiterate culture to one which became nearly entirely literate. It also developed a nuclear arsenal second only to the U.S.’s and kept an uneasy peace with its ideological enemies after the close of World War II.In lectures and seminar we will examine issues raised in a selection of readings from history, literature and culture geared to helping us answer questions raised by our exploration, and we will also view and analyze relevant films. Students will write a major research paper, producing drafts during the course of the quarter, and will also present the results of their research to their peers in poster projects at the end of the term.		Robert Smurr		Freshmen FR Sophomore SO Junior JR Senior SR	Fall
Still/Moving revised Julia Zay and Amjad Faur art history communications cultural studies media arts media studies visual arts writing	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter		This is an art foundations program invested in opening up the dense histories and meanings of photographic images in their many forms, from still to moving and back again--and the unsettled places between. We explore what it means both to know and to make an image– photographic, moving, and time-based. We will pay equal attention to the history, theory and practice of the photographic image, both still and moving, in the context of visual studies--a field that yokes a broad study of the visual arts with social and cultural history and theory--art history, film/cinema history, and philosophy. Through a critical engagement with still and moving photographic images as well as related forms of visual art, we will map a broad contextual territory and challenge received notions of the boundaries between forms, genres, and mediums.Photography can never be thought of as simply a medium, technology or practice but a convergence of material, history, culture and power. In the Fall, we will start with the unfolding of the Western enlightenment, from the 16th to the 19th century, when optical technologies radically reorganized the senses and methods of knowledge production, posing new questions about temporal, spatial and visual relationships to artists and scientists alike. We will then move more deeply into the 19th and first half of the 20th century, when photography emerged into an art world dominated by painting, a visual culture organized around print technologies, and societies in the throes of rapid industrialization. Photography initially emerged not out of art contexts but out of the institutions of science and industry, so we will consider, in particular, the ways it was used to produce social categories, shaping dominant discourses of gender, class and criminality. For example, we’ll look at the language of portraiture so central to the emergence of both a middle class and the language of criminal and medical photography. Our materials and techniques will first be limited to those from the 19th century (proto-photography, early processes, hand-built cameras). In winter, we move from the 19th to the long 20th century and the emergence of cinema. We will look at the way early cinema was organized around a fascination with duration, spectacle, and experimentation and on the relationship between photography and cinema, stillness and movement. We will continue to work in still photography, broadening our range of techniques, and add a small amount of 16mm filmmaking to the mix as we explore the larger social and historical contexts and philosophical questions surrounding the relationship between still and moving photographic images. In our creative and intellectual work, we’ll ask many questions about the phenomenon, concept and experience of time--for example, how is a four minute exposure in a still photograph both similar to and different from a four minute continuous shot of film or video of the same subject?In all our work we will focus on building essential skills in practices of attention--learning how to slow down our modes of seeing, experiencing and working. In our photographic practice, this will mean moving away from the pursuit of “finished” images and towards experimental processes and conceptual problem solving. In our work with texts and images, this will mean developing our ability to read and view closely and write with precision and patience. Class sessions will include lectures/screenings, workshops, seminar, critical reading and writing, and critique. In addition to working individually, students can expect to collaborate regularly with their peers on a variety of assignments and larger projects. All along the way we will intentionally examine how our investments in collaboration animate our intellectual and creative work. We will spend significant time in critique to help each other see, describe, evaluate and improve our creative and critical work.		Julia Zay Amjad Faur		Freshmen FR Sophomore SO	Fall
Student-Originated Studies: CCBLA Stephanie Kozick community studies cultural studies education environmental studies government law and public policy leadership studies outdoor leadership and education political economy sustainability studies Signature Required: Winter Spring	SOS	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	This Student-Originated Studies program is intended for upper-level students with a background in community-based learning, and who have made arrangements to carry out a yearlong focused project within an organized community center, workshop, agency, organization or school setting. Community projects are to be carried out through internships, mentoring situations or apprenticeships that support students’ interest in community development. This program also includes a required weekly program meeting on campus that will facilitate a shared, supportive learning experience and weekly progress journal writing. The program is connected to Evergreen's Center for Community-Based Learning and Action (CCBLA), which supports learning about, engaging with and contributing to community life in the region. As such, this program benefits by the rich resource library, staff, internship suggestions and workshops offered through the Center. Students in this program will further their understanding of the concept of “community” as they engage their internship, apprenticeship or mentoring situation. The program emphasizes an asset-based model of community understanding advanced by Kretzmann and McKnight (1993). A variety of short readings from that text will become part of the weekly campus meetings. The range of academic/community work suited to this program includes: working in an official capacity as an intern with defined duties at a community agency, organization or school; working with one or more community members (elders, mentors, artists, teachers, skilled laborers, community organizers) to learn about a special line of work or skills that enriches the community as a whole; or designing a community action plan or case study aimed at problem solving a particular community challenge or need. A combination of internship and academic credit will be awarded in this program. Students may arrange an internship up to 36 hours a week for a 12-credit internship per quarter. Four academic credits will be awarded each quarter for seminar attendance and weekly progress journal writing. Students may distribute their program credits to include less than 12 credits of internship when accompanying research, reading and writing credits associated with their community work are included. During the academic year, students are required to meet as a whole group in a weekly seminar on Wednesday mornings to share successes and challenges, discuss the larger context of their projects in terms of community asset building and well-being, and discuss occasional assigned short readings that illuminate the essence of community. Students will also organize small interest/support groups to discuss issues related to their specific projects and to collaborate on a presentation at the end of each quarter. Students will submit weekly written progress/reflection reports via forums established on the program Moodle site. Contact faculty member Stephanie Kozick if further information is needed.		Stephanie Kozick	Wed	Sophomore SO Junior JR Senior SR	Fall
Student-Originated Studies: Seeds, Beads, Bees and other Biodynamical Processes Sarah Williams agriculture consciousness studies cultural studies field studies gender and women's studies sustainability studies writing	SOS	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	J.W. Goethe Like the role of bees and seeds in the evolution of agriculture, beads—which often are seeds, shells, wax or bone—have an inside and an outside that commute. Seeds, beads and bees are interpenetrating, reciprocal creations. They form assemblages with centers and their use over time can be a measure of the fertility of mind, spirit and body. This SOS will support students in bead-like studies of biodynamic processes in conjunction with an internship, creative practice or field research project. Whether defined in relationship to agricultural, artistic or somatic practices, biodynamic processes are characterized by interconnected, recursive and iterative movements that form holistic patterns. Thus, students will be guided to reflect on their learning itself as a biodynamic process. To what extent is the subject and object of a liberal arts eduction mutually causative? In what ways might thinking be enlivened if informed by a consciousness of temporal rhythms (e.g., respiration) and cosmic forces such as tides and sunlight?This program is ideal for responsible, enthusiastic and self-motivated students with an interest in developing and reflecting on a substantial project over a substantial period of time. In addition to classroom work, each student will create an individual course of academic learning including an internship (e.g., at a local organic farm), creative practice (e.g., nature writing), or field research project (e.g., discovering the differences—and why they matter—between commercial and biodynamic beekeeping). Collaboration, including shared field-trip opportunities, with the Ecological Agriculture and Practice of Sustainable Agriculture programs will be available. Academic work for each quarter will include weekly group meetings, an annotated bibliography and maintenance of a field journal to document independent project learning. In addition to this independent project component, students will engage in weekly readings and written responses, seminar discussions and a final presentation. Unless designed into students projects and agreed upon in advance, all students will be required to attend and actively participate in this one day of weekly class activities, as well as individual self-assessment meetings with the faculty at mid-quarter and the end of the quarter. Interested students should browse the following authors and texts to explore their ability to think and act biodynamically within an intentional learning community. , edited by David Seamon and Arthur Zajonc; by Wolf Storl; by Charles Ridley; by Catherine Cole; by Gary Snyder; by Robert Bringhurst; by Ruth Ozeki; and : by Rudolf Steiner		Sarah Williams	Tue	Sophomore SO Junior JR Senior SR	Fall
That's Classic(s)! Explorations in the Ancient and Modern World cancelled Ulrike Krotscheck anthropology architecture art history classics cultural studies history media studies political science sociology	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 13 Fall	W 14Winter	S 14Spring	Why, after 2,000 years of historical perspective, do we still find meaning in the works of Homer and Aristotle, Julius Caesar and Virgil? What can we learn from Athenian experiments in democracy or the formation and fall of the Roman Empire, as an alternative to republicanism? Why are ancient Greek and Roman images and ideas still represented in so much of our contemporary culture? The principles of classical literature, architecture, philosophy, theater and politics still permeate our society in this increasingly multicultural and globalized world. In these three quarters, we will explore the significant and unassailable ways in which ancient Greece and Rome have influenced our understanding of the world and many more tangible aspects of our contemporary culture.Each quarter will focus on a slightly different variation on our theme, and students may either stay in the program for the duration of the year, or join according to their interests in any one quarter. Continuing students over the three quarters will help organize and deliver content for new students, cementing the learning that they have already accomplished by sharing their knowledge with newcomers. On the other hand, new students in the winter and spring will actively participate in the formation of learning communities in which the faculty is not the sole provider of content. This program will support first year and sophomore students in their transition to college, while also providing a solid foundation in the origin of western civilization. It will be an intensive reading- and writing-based experience that will prepare students for upper-level work in the humanities and social sciences. Program activities will also include work on the Academic Statement Initiative.The three quarters will be organized as follows: In the fall, we will begin by learning the history of the ancient world. We will explore how this narrative has been handed down to us through historiography and archaeology, and what information and misinformation we can garner from it. We will study archaeological sites, art and architecture, and interrogate the uses of these visual canons in our own surroundings. In the winter, we will explore the influence of classics in modern films of every genre, from to and ?. We will read and analyze the ancient myths and epics that form the basis for the film interpretations, and discuss both the universal and the not-so-applicable lessons, themes and morals contained in the modern adaptations. The ancient Mediterranean was the stage for the earliest attempts in Western democracy and republicanism. Some of these experiments were more successful; some were less successful. We will examine these political innovations and compare them to our own contemporary systems of government. We will investigate the rights of citizens and the selection of who is allowed to participate in the political process and why. We will discuss the roles (or lack thereof) of foreigners, women and slaves. We'll read Aristotle, Plato and Cicero to understand ancient political ideologies and realities and to analyze how these have helped us build the foundation of our modern political system.		Ulrike Krotscheck	Mon Wed Thu Fri	Freshmen FR Sophomore SO	Fall
Theatre of Fantasy: Performing Chinese Drama on the Western Stage Rose Jang and Mingxia Li cultural studies literature theater	Program	FR–SRFreshmen - Senior	16	16	Day		W 14Winter	S 14Spring	Classical Chinese drama, as a literary genre, evolved from a long tradition of poetry writing and storytelling. In Chinese theatre, lyrics combine with dance, music, singing, acrobatics and martial arts. For centuries, the poetic and presentational style of Chinese drama and theatre has helped nurture and highlight the fantastic and imaginative side of Chinese culture: the magical beings—spirits, deities, ghosts—and their boundless power in folk tales; dreams, fantasies, mysticism and otherworldliness of the Daoist realm of existence. Monkey King, White Snake, Moon Lady, Butterfly Lovers, roaming spirits and ghosts of the underworld: these ever-popular Chinese archetypes have been repeatedly invoked and embodied in poetry and on stage. Many of these fantastic images and stories will form the core and focus of our program study.Students will study select works of Chinese poetry, drama and theatre with the intention and goal to stage one Chinese verse drama using modern theatre sensitivities and technology at the end of the program. We will combine careful study of Chinese literature—along with folklore, religion and philosophy embedded in it—with serious theatre training and implementation. The end result will be a symbolic, stylized production in the form and spirit of Chinese fantasy for the Western audience.Although there are no prerequisites in performance, poetry, Chinese language or aesthetics, interests or previous study in any of these fields will be useful. Expect plenty of reading and writing, creative workshops featuring small group work, independent research and creative projects. Students will have ample opportunities to develop their individual artistic and academic interests through program activities, as well as performance or technical theatre skills through actual production experience.In winter quarter, we will study existing works of masters, from the ancient to the contemporary, which depict the supernatural and fantastic world in Chinese imagination. We will analyze them as both acknowledged literary masterpieces and tacit philosophical vehicles. Besides lectures and reading, workshops on poetry, theater performance, stylized movements and voice training will allow hands-on learning through practices. Chinese language workshop may be offered within the program to meet student need as a four- or two-credit option.In spring, we will focus on rehearsals and technical theatre work in order to mount a full-fledged theatrical production of an original Chinese verse drama based on the mythical story of Moon Lady. This end-of-program public presentation will put to the test our collective understanding of Chinese mythology, poetry and drama, and help us convey this understanding in a complex form of the theatre of fantasy.		Rose Jang Mingxia Li		Freshmen FR Sophomore SO Junior JR Senior SR	Winter
Turning Eastward: Explorations in East-West Psychology Ryo Imamura community studies consciousness studies cultural studies health philosophy psychology religious studies	Program	SO–SRSophomore - Senior	16	16	Day	F 13 Fall	W 14Winter		Western psychology has so far failed to provide us with a satisfactory understanding of the full range of human experience. It has largely overlooked the core of human understanding—our everyday mind and our immediate awareness of being—with all of its felt complexity and sensitive attunement to the vast network of interconnectedness with the universe around us. Instead, Western psychology has chosen to analyze the mind as though it were an object independent of the analyzer, consisting of hypothetical structures and mechanisms that cannot be directly experienced. Western psychology's neglect of the living mind--both in its everyday dynamics and its larger possibilities--has led to a tremendous upsurge of interest in the ancient wisdom of Asia, particularly Buddhism, which does not divorce the study of psychology from the concern with wisdom and human liberation.In contrast to Western psychology, Eastern psychology shuns any impersonal attempt to objectify human life from the viewpoint of an external observer and instead studies consciousness as a living reality which shapes individual and collective perception and action. The primary tool for directly exploring the mind is meditation or mindfulness, an experiential process in which one becomes an attentive participant-observer in the unfolding of moment-to-moment consciousness.Learning mainly from lectures, readings, videos, workshops, seminar discussions, individual and group research projects and field trips, in fall quarter we will take a critical look at the basic assumptions and tenets of the major currents in traditional Western psychology, the concept of mental illness and the distinctions drawn between normal and abnormal thought and behavior. In winter quarter, we will then investigate the Eastern study of mind that has developed within spiritual traditions, particularly within the Buddhist tradition. In doing so, we will take special care to avoid the common pitfall of most Western interpretations of Eastern thought—the attempt to fit Eastern ideas and practices into unexamined Western assumptions and traditional intellectual categories. Lastly, we will address the encounter between Eastern and Western psychology as possibly having important ramifications for the human sciences in the future, potentially leading to new perspectives on the whole range of human experience and life concerns.	psychology, counseling, social work, education, Asian-American studies, Asian studies and religious studies.	Ryo Imamura		Sophomore SO Junior JR Senior SR	Fall
Undergraduate Projects in Critical and Creative Practices Naima Lowe African American studies art history communications cultural studies gender and women's studies literature media arts media studies moving image visual arts writing Signature Required: Fall Winter Spring	Program	SO–SRSophomore - Senior	V	V	Day, Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. (experimental media and performance art) creates films, videos, performances and written works that explore issues of race, gender, and embodiment. The majority of her work includes an archival research element that explores historical social relationships and mythic identities. She is currently working on a series of short films and performances that explore racial identity in rural settings. Students working with Naima would have opportunities to learn media production and post-production skills (including storyboarding, scripting, 16mm and HD video shooting, location scouting, audio recording, audio/video editing, etc) through working with a small crew comprised of students and professional artists. Students would also have opportunities to do archival and historical research on African-Americans living in rural settings, and on literature, film and visual art that deals with similar themes. Please go to the catalog view for specific information about each option.		Naima Lowe		Sophomore SO Junior JR Senior SR	Fall
Undergraduate Projects in Critical and Creative Practices with N. Lowe Naima Lowe African American studies art history communications cultural studies gender and women's studies media studies moving image visual arts Signature Required: Fall Winter Spring	Research	SO–SRSophomore - Senior	V	V	Day, Evening and Weekend	F 13 Fall	W 14Winter	S 14Spring	This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. (experimental media and performance art) creates films, videos, performances and written works that explore issues of race, gender, and embodiment. The majority of her work includes an archival research element that explores historical social relationships and mythic identities. She is currently working on a series of short films and performances that explore racial identity in rural settings. Students working with Naima would have opportunities to learn media production and post-production skills (including storyboarding, scripting, 16mm and HD video shooting, location scouting, audio recording, audio/video editing, etc) through working with a small crew comprised of students and professional artists. Students would also have opportunities to do archival and historical research on African-Americans living in rural settings, and on literature, film and visual art that deals with similar themes.		Naima Lowe		Sophomore SO Junior JR Senior SR	Fall

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