2013-14 Undergraduate Index A-Z
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Architecture [clear]
| Title | Offering | Standing | Credits | Credits | When | F | W | S | Su | Description | Preparatory | Faculty | Days of Week | Multiple Standings | Start Quarters |
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Robert Leverich, Robert Knapp and Anthony Tindill
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | F 13 Fall | In a world full of man-made stuff, what does it mean to be a maker of things? How does what you make, the materials you choose, and how you shape them define and speak for you, as an individual, and as part of a culture or community, or an environment? What’s been handed to you, and what will you hand on? This is a foundational program for those who are drawn to envisioning and making things, from art and craft to architecture and environments, and who are open to thinking about that work as both creative self-expression and responsive engagement with materials, environments, and communities. It’s a serious introduction to studio-centered creative work – each student will be part of a working studios to focus on individual and group 3D projects that address art, craft, and construction challenges at a variety of scales, with supporting work in drawing, design, and fabrication skills, materials science, environmental history and ideas, and sustainable practices. Collaboratively, we will engage this work as art, science, expression, and service, challenging such distinctions and looking for commonalities of approach and meaning. Book possibilities include Pallasmaa: Cooper: ; Berge, Steele: Rothenburg: Engaged students will leave this program with new drawing, design, and building skills, experience with design as a multidisciplinary approach to complex problems, deeper understanding of materials and their environmental and social impacts, and fuller awareness of how the arts and architecture can shape environments and communities in ways that are ethical, beautiful, and sustainable. This program is preparatory for that follows in Winter and Spring quarters. | Robert Leverich Robert Knapp Anthony Tindill | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | |||||
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Robert Leverich and Anthony Tindill
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | W 14Winter | S 14Spring | This program builds on ideas and skills introduced in in the Fall. It focuses on responsive and responsible use of materials at two different scales and in two different studios – Craft and Construction – with common activities for both. Students will choose one of the two studio options when registering for the program and will be expected to stay with that studio for both quarters in order to do focused work. The Craft Studio will explore definitions and questions of craft and sustainability through studio work in wood, metals, composites, and recycled materials – where much of the most creative work in craft is being done today. Projects will build on the basic design and construction skills introduced in the fall, to address functional and expressive challenges in the making of objects and furniture (furnishings?). The Craft Studio will emphasize full knowledge of materials, from structure and feel to sources and impacts, along with skillful use of tools and techniques – the knowledge and skill to discipline what we make and to conserve what we use. Possible key texts include Glen Adamson, and Stuart Walker, The Construction Studio will address materials in the context of sustainable building. From an architectural perspective, “green” design and construction is greatly about energy. Currently buildings account for 42% of the U.S.’s energy use, larger even than transportation and industrial uses. Effectively designing and constructing new buildings –or, sometimes even better, renovating and retrofitting existing buildings- can reduce that amount in the future despite the obvious fact that there will no doubt be more buildings. The Construction studio will focus on effective principles and strategies employed in sustainable design. Topics will include the impact of material choices (considering factors such as material origin, lifecycle costs, resource depletion and the use of recycled or reinvented materials), emerging technologies that enhance energy efficiency, design strategies that reduce the overall energy needs of a building, and current sustainable building movements that are impacting the industry. In-studio projects will ask student teams to design and build architectural projects that address various community needs. Other topics explored may include concepts of structural design, architectural history, design theory and service learning. Key texts will be Norbert Lechner, Andrea Oppenheimer Dean and Amory Lovins, Shared activities between studios will include lectures, workshops, and seminars that explore history and ideas common to both craft and construction and how both can be more ethical, beautiful, and sustainable. The program will culminate in a student-organized exhibition of best works at the end of Spring Quarter. Seriously engaged students will leave this program with a fuller understanding of materials and Sustainability, new technical and environmental awareness, well-made works in wood, metal and other materials, and the ability to present, speak for, and write effectively about their work. | visual arts, environmental design, architecture, art education, and sustainability studies. | Robert Leverich Anthony Tindill | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | |||
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Jennifer Gerend and Glenn Landram
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | F 13 Fall | W 14Winter | This two-quarter program focuses on Northwest communities from the perspective of public policy, land use and economics/personal finance. This program will be an eye opener for anyone who wonders why and how places develop. Where did that Walmart come from? Why did those trees get cut down for new homes? What will happen to that empty building? We will focus on the local decision making that shapes our built and natural environments while considering what types of development and redevelopment are more sustainable, both financially and environmentally.As the Northwest continues to grow, we will consider the voices of property owners, renters, business owners and other community members who often have divergent views on growth, preservation, conservation and property rights. These perspectives will aid our understanding of public places from urban and suburban cities to less connected subdivisions or rural developments. What do we want our public and private spaces to look like? How do communities plan for and accommodate growth? How are progressive policies developed and financed? Comparisons to other communities, cities, states and countries (Germany in particular) will be examined and discussed.Students will explore different communities' orientation to cars, transit, bicycles and pedestrians. Architecture and urban design aspects will round out our analysis. Class sessions will include lectures, workshops, films and field trips to Port Townsend and Seattle. The fall quarter will focus on the public policy, land use planning and economics necessary for students to conduct their own significant project during winter quarter. Seminar texts will offer a theoretical background in these issues as well as a look at some contemporary communities in the news.During winter quarter, students will continue their theoretical learning while taking on an applied group project around community planning and economic development. Specifically, students will work in teams to prepare research or other solutions for selected urban and rural planning issues around Washington. These projects may involve group travel. With faculty support, students will hone their ability to work in teams and develop their presentation skills. | Jennifer Gerend Glenn Landram | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Ulrike Krotscheck
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Program | FR–SOFreshmen - Sophomore | 16 | 16 | Day | F 13 Fall | W 14Winter | S 14Spring | Why, after 2,000 years of historical perspective, do we still find meaning in the works of Homer and Aristotle, Julius Caesar and Virgil? What can we learn from Athenian experiments in democracy or the formation and fall of the Roman Empire, as an alternative to republicanism? Why are ancient Greek and Roman images and ideas still represented in so much of our contemporary culture? The principles of classical literature, architecture, philosophy, theater and politics still permeate our society in this increasingly multicultural and globalized world. In these three quarters, we will explore the significant and unassailable ways in which ancient Greece and Rome have influenced our understanding of the world and many more tangible aspects of our contemporary culture.Each quarter will focus on a slightly different variation on our theme, and students may either stay in the program for the duration of the year, or join according to their interests in any one quarter. Continuing students over the three quarters will help organize and deliver content for new students, cementing the learning that they have already accomplished by sharing their knowledge with newcomers. On the other hand, new students in the winter and spring will actively participate in the formation of learning communities in which the faculty is not the sole provider of content. This program will support first year and sophomore students in their transition to college, while also providing a solid foundation in the origin of western civilization. It will be an intensive reading- and writing-based experience that will prepare students for upper-level work in the humanities and social sciences. Program activities will also include work on the Academic Statement Initiative.The three quarters will be organized as follows: In the fall, we will begin by learning the history of the ancient world. We will explore how this narrative has been handed down to us through historiography and archaeology, and what information and misinformation we can garner from it. We will study archaeological sites, art and architecture, and interrogate the uses of these visual canons in our own surroundings. In the winter, we will explore the influence of classics in modern films of every genre, from to and ?. We will read and analyze the ancient myths and epics that form the basis for the film interpretations, and discuss both the universal and the not-so-applicable lessons, themes and morals contained in the modern adaptations. The ancient Mediterranean was the stage for the earliest attempts in Western democracy and republicanism. Some of these experiments were more successful; some were less successful. We will examine these political innovations and compare them to our own contemporary systems of government. We will investigate the rights of citizens and the selection of who is allowed to participate in the political process and why. We will discuss the roles (or lack thereof) of foreigners, women and slaves. We'll read Aristotle, Plato and Cicero to understand ancient political ideologies and realities and to analyze how these have helped us build the foundation of our modern political system. | Ulrike Krotscheck | Mon Wed Thu Fri | Freshmen FR Sophomore SO | Fall |

