Organisms evolve. So do machines and ideas. The mechanism of 'evolution' may be different in each of these three realms, but the results can be strikingly similar. When human engineers invented and refined radar and sonar technologies, for example, they encountered numerous obstacles to the design of a functional system. Only much later was it discovered that natural selection had grappled with the same issues in the refinement of bat echolocation. And, though working without a designer's foresight, and using different materials, nature found strikingly similar solutions. In contrast, human engineers and biological evolution have each produced multiple modes of powered flight and there is almost no overlap between the biological and mechanical designs. Nature has never produced anything like a helicopter or a plane, and man has not reproduced the flight of a hummingbird or a honey bee.

In this program, we will explore the concept of "fitness." We will seek to understand what makes an organism 'fit' and to determine if it is the same properties that make a machine design successful. We will also investigate the meaning of 'fitness' in the market place of ideas. Does a scientific or factual truth have a built in advantage over an appealing falsehood? Or alternatively, is the truth rigid and inflexible while its competitors are dynamic and fluid? What effect might it have on policy making in a democracy if the truth was not the fittest competitor in the marketplace of ideas? What might be done to increase the fitness of real facts and robust logic?

This yearlong program is designed for students who have previously studied management and wish to engage in advanced work in management related topics. Students without previous management studies should consider enrolling in the 8-credit program listed in the Evening and Weekend Class Listing titled Introductory Management Topics: A Few Good Managers Wanted. Advanced Management Topics will feature a comprehensive analysis of the economic, cultural, political, technological and legal environments in which entrepreneurial organizations (for-profits and nonprofits) compete. It will showcase economic and community development and include team building, small business development/startup and growth, organizational communication, ethics, global issues management and strategic and scenario planning. A major focus will be the consideration of current events in management strategy. Seminars will emphasize the development of critical reading and reasoning skills and the formulation and effective articulation of definitive, tightly reasoned positions on key management issues. Program activities will include lectures, workshops, case studies, field trips, and group and individual research projects.
There are 8-, 12- and 16-credit options. The 8-credit core meets in the evening. The 16-credit option involves both evening and daytime class times. Students may register for 12-credits and enroll in the 4-credit Organizational Conflict Management course listed in the Evening and Weekend Class Listing.
Credit may be awarded in: organizational theory, organizational development, finance, international business, marketing, communication, case studies, economic development, entrepreneurship, managing nonprofits, strategic planning, contemporary issues in economics, business and politics, management issues and ethics.
Total: 8, 12 or 16 credits each quarter.
Program is preparatory for: careers and future studies in nonprofit or business management, public administration or further study in business or public administration.
Planning Unit(s): Society, Politics, Behavior and Change.

Program Updates:

(11/17/03) Not accepting new students in Winter. (2/18/04) New students will be accepted in spring. For information contact John Filmer, (360) 867-6159.

Advanced Research in Environmental Studies
Fall, Winter and Spring quarters
Faculty: Frederica Bowcutt, Gerardo Chin-Leo, Heather Heying, John T. Longino, Nalini Nadkarni, Lin Nelson, Erik V. Thuesen
Enrollment: 25
Prerequisites: Junior or senior standing. Negotiated individually with faculty sponsor.
Faculty Signature: Yes. Graduate students must also get signature of MES director.
Special Expenses: There may be transportation costs involved in fieldwork.
Internship Possibilities: No

Rigorous quantitative and qualitative research is an important component of academic learning in Environmental Studies. Research design, data acquisition and interpretation, written and oral communication, collaboration and critical thinking skills will be developed in this program. These research skills are of particular importance for those students interested in pursuing a graduate degree and can provide important experience for graduates in the job market. Several faculty in the Environmental Studies planning unit are currently engaged in research projects and are seeking advanced students to participate in these investigations. The research, conducted by the student, would generally last multiple quarters and function as a capstone of their academic work at Evergreen. Students can take advantage of this program to write a senior thesis.
Frederica Bowcutt studies floristic diversity on public lands. Her publications include flora for three California state parks. Students who have taken course work in introductory botany and plant systematics are invited to inquire about botanical survey work on public lands. Students will be required to collect hundreds of voucher specimens, verify identifications at a suitable herbarium and write a flora of the land surveyed.
Gerardo Chin-Leo studies marine phytoplankton and bacteria. His research interests include understanding the factors that control seasonal changes in the biomass and species composition of Puget Sound phyto-plankton. In addition, he is investigating the role of marine bacteria in the geochemistry of estuaries and hypoxic fjords.
Heather Heying studies the evolution, ecology and behavior of amphibians and reptiles. Students with a strong interest in fieldwork and a background in relevant biological theory will have the opportunity to combine the theoretical with the empirical, while gaining experience in hypothesis generation, experimental design, field methods and data interpretation.
John T. Longino studies insect taxonomy and ecology, with specific research focus on ants. His research program is a combination of fieldwork in Costa Rica and collections-based research at the Evergreen campus. Students may become involved in local or neotropical fauna studies, with field- and/or collections-based activities.
Nalini Nadkarni is a forest ecologist who studies the ecological interactions of canopy-dwelling plants and animals in tropical and temperate rainforests. She is the president of the International Canopy Network headquartered at Evergreen. She welcomes students who want experience in nonprofit organizations to work with her on communication of scientific information about forest canopies to other researchers, educators and conservationists. She is also interested in communicating her work to non-scientists and working with artists on collaborative ways of understanding trees and forests.
Lin Nelson is a social scientist who has worked with national and regional organizations doing research and advocacy on the linkages among environment, health and community. Students who would like to assist in developing case studies of environmental health in Northwest communities (with a focus on environmental justice and environment–labor connections) can contact her. A related area, for students with sufficient preparation, is the examination of Washington state’s plan to phase out selected persistent, bioaccumulative toxics.
Erik V. Thuesen conducts research on the ecological physiology of marine animals. He and his students are currently investigating the physiological, behavioral and biochemical adaptations of gelatinous zooplankton to estuarine hypoxia. Students working in his lab typically have backgrounds in different aspects of marine science, ecology, physiology and biochemistry.
Credit awarded in: areas of student work.
Total: 4 to 16 credits each quarter. Students will negotiate credit with faculty sponsor.
A similar program is expected to be offered in 2004–05.
Program is preparatory for: careers and future studies in botany, ecology, entomology, environmental studies, marine science, zoology and taxonomy.
Planning Unit(s): Environmental Studies

Program Updates:

(4/1/03) Martha Henderson Tubesing has been removed from the research team.

The term Black Atlantic identifies works of literary, historical or cultural studies that share a nationalistic focus that is antithetical to the rhizomorphic, hybrid and fractal nature of modern black cultures. The concept also refers to the scholarship known as Black Atlantic Studies (from Black Diaspora Studies), which is primarily concerned with the origins and evolution of modern black cultures and identities. In recent years, critics of Black Atlantic Studies such as Paul Gilroy, Stuart Hall, Kwame Anthony Appiah and Hazel Carby have paid strong attention to the hybridism among black populations living in an increasingly modern and global world. Yet, they have often neglected the role that Africa has played in the formation of these cosmopolitan black communities and cultures. A broader and more inclusive study of modern black cultures should consider the particular ways in which such cultures are theorized as both local and transnational or as both modern and traditional at the same time.
Drawing from the works of 20th-century literary writers, historians, filmmakers and musicians from the United States, Africa and the Caribbean, this program will explore the centrality of Africa in the construction of modern black identities in the western world. The program will examine crosscurrents between cultures in Africa and in the West. While discussing the impact of slavery and the Industrial Revolution on modern black societies, the program will also analyze the effects of imperialism, colonization and globalization on black populations living across the Atlantic Ocean. Such analysis will be done through a study of literary and artistic forms such as fiction, drama, poetry, folktales, films, rap, Hip-Hop, reggae and Afro-pop music. A major emphasis will be placed on black postcolonial cinema.
This program will introduce students to Black Atlantic literature, history and cultures, theories of contemporary Black Studies and literary theory.
Credit awarded in: African, African-American and Caribbean literature, history and culture; Black Atlantic Studies; literary criticism; and cultural studies.
Total: 16 credits.
This program is also listed in First-Year Programs and Culture, Text and Language.
Planning Unit(s): Programs for First-Year Students; Culture, Text and Language

Program Updates:

(1/29/03) New, not in printed catalog

Algebra to Algorithms: An Introduction to Mathematics for Science and Computing
Spring quarter
Faculty: Judy Cushing
Enrollment: 23
Prerequisites: High school algebra proficiency assumed. This is a Core program designed for first-year students.
Faculty Signature: No
Special Expenses: No
Internship Possibilities: No

Ancient Stories/Modern Lives
New, not in printed catalog
Fall and Winter quarters
Faculty: Nancy Taylor, Andrew Reece, Nancy Koppelman
Enrollment: 72
Prerequisites: None. This Core/sophomore program is designed for first- and second- year students.
Faculty Signature: Yes
Special Expenses: $150 for field trips and program retreat.
Internship Possibilities: No

God made man because he loves stories.—Elie Wiesel
Stories go to work on you like arrows. Stories make you live right. Stories make you replace yourself.—Benton Lewis, Apache, reported by Keith H. Basso
What is a myth but something that seems to happen always for the first time over and over again?—Robert Pinsky
How can stories help us make sense of ourselves and our worlds? What can ancient storytellers teach us about our experience in this new century? How do modern storytellers hear from, and speak back to, the voices from the past? In this program, we seek to understand the ways in which stories imitate, represent, and shape our lives. We propose a broad notion of “story,” which includes narratives of many sorts—mythic, fictional, dramatic, poetical, artistic, historical and philosophical. We turn to these stories to help us pose and answer vital questions about our identities, our relationships, our moral points of view and practices: who we are, how our sense of self develops and changes, how we can live justly, how we can cultivate love and joy. Finally, we explore the roles of others’ stories in the creation of our own, both in the tales we tell and the lives we make.
The program is deeply rooted in the texts of ancient Greece, in which these questions found some of their earliest, most provocative, and most influential expression. We will alternate ancient and modern works throughout the program. Ancient authors include Homer, Sappho, Herodotus, Aeschylus, Sophocles, Euripides, Aristophanes, Thucydides, Plato, and Aristotle. Modern authors include the authors of the U.S. founding documents, Zora Neale Hurston, Abraham Cahan, Louise Erdrich, Henry David Thoreau, Martin Luther King, Jr., and Toni Morrison. We will compare the ways ancient and modern authors develop common themes, and we will draw on both ancient and modern stories as we begin to fashion our own stories about our own experiences and those of others.
Students will respond critically and creatively to these stories. They will be expected to read extensively and intensively. We place writing at the center of the program, intending it to help students become better writers of expository, research and reflective essays. We place a particular emphasis on the writing process, from the development of arguments and ideas to their drafting and on to their revision.
Credit awarded in: classical studies, history, literature, philosophy, cultural studies and mythology.
Total: 16 credits each quarter.
Program is preparatory for: careers and future studies in the humanities, history, literature, cultural studies and teaching.

Program Updates:

(4/17/03) New, not in printed catalog First-year and Sophomore program (5/12/03) This program is designed for freshmen and sophomore students. Nancy Koppelman has been added to the faculty team. The enrollment has been increased to 36 Freshmen; 36 Sophomores. (11/04/03) Faculty signature added. (11/07/03) Students should make an appointment with one of the faculty members (Andrew Reece, Nancy Koppelman or Nancy Taylor) during office hours (Monday or Tuesday afternoon 3:30-4:30) to talk about ways to prepare for winter quarter.

Animal behavior is a fascinating field of biology that encompasses an understanding of ecology and evolution. In this program, we will study animal behavior using a combination of theoretical and empirical approaches. We will explore the incredible diversity of behavioral patterns or 'what animals do' (foraging, mating, caring for young, and more). These observed behavioral patterns can be understood using two complementary levels of analysis. One level focuses on 'how questions' seeking proximate causes of behavior entailing mechanistic explanations (sensory-motor, genetic-developmental). Another level addresses 'why questions' concerning the ultimate causes of behavior involving evolutionary explanations (differential reproduction, phylogenetic). Some of the topics that we will focus on include mating systems, territoriality, parental care and competition. Activities in this program include lectures, seminar discussions, films and field trips. This program provides opportunities for developing the following skills: critical reasoning, written and oral communication, research design, and collection and interpretation of data. Each student will conduct an independent research project culminating in written and oral presentations at the end of the quarter.
Credit awarded in: evolution, ecology, zoology, philosophy of science and research.
Total: 16 credits.
Program is preparatory for: careers and research in field biology, evolution, ecology and other life sciences.

Program Updates:

(2/9/04) New, not in printed catalog (2/24/04) A faculty signature and entrance application has been added. Enrollment has been lowered to 20 students. (2/27/04) The application and faculty signature requirement has been removed from this program.

Economic progress has failed to materialize for the majority of the world's population. This failure and the struggle to reverse it constitute one of the central dramas of our time and dominate political debate throughout most of what used to be called the Third World. But what kind of progress is needed? Is conventional economic development the answer or something else? And why has progress of any sort proved to be so difficult to achieve? To answer these questions we will look at the history of thinking about development and the experience of people on the receiving end. We will examine "development" itself as a contested concept and consider alternative models of improving the quality of life for those currently disenfranchised. Finally, we will survey the social, political and economic barriers to development (however defined) that have to be dismantled for progress to occur. Our sources will be mostly drawn from social science (economics, sociology, politics), but also fiction, poetry, music and film. Possible readings include Western Supremacy: The Triumph of an Idea? , Sophie Bessis; The Subsistence Perspective , Veronika Bennholdt-Thomsen and Maria Mies; The History of Development , Gilbert Rist; Real World Economic Outlook , Ann Pettifor; The Economist's Tale: A Consultant Encounters Hunger and the World Bank , Peter Griffiths; Development as Freedom , Amartya Sen; Gender, Development and Globalization , Lourdes Beneria; The Cave , Jose Saramago; and the Human Development Report: Making Services Work for the Poor , World Bank. There will be one major piece of research and writing, applying the themes of the program to a particular country, region or ethnic group.
Credit awarded in: economics, political science and postcolonial studies.
Total: 16 credits.
This program is preparatory for: careers and future studies in the social sciences as well as work in "developing country" settings.

Program Updates:

(2/4/04) New, not in printed catalog

Acts and movements of resistance have played a significant role in the transformation of ideas, rules, public spaces and political systems. This program will study the manifestations of resistance in everyday life with a particular emphasis on the commonalities and differences between nonviolent resistance and other forms of resistance. We will broaden and deepen our understanding of nonviolence theory and strategy while assessing various forms and tools of resistance past and present. We will also explore the place of nature in building and sustaining the capacity of individuals and communities to get involved in social change.
In addition to reading seminal texts on nonviolence and resistance, the program will concentrate on the role of visual and expressive arts, music, poetry, fiction, filmmaking and other creative expressions in fostering and sustaining resistance. Through readings, films, guest speakers and workshops we will explore the efficacy of particular acts of resistance carried out by individuals as well as by movements.
Our studies will draw examples from such movements as the civil rights movement, the peace movement, the women’s movement, the gay and lesbian movement, the environmental movement and the anti-globalization movement. We will also briefly explore resistance movements in South Africa, Israel and Palestine and the North of Ireland. Students will have an opportunity to get involved in and contribute to two community projects that embody the art and nature of resistance: The Procession of the Species in Olympia and a community partnership project in Republic, Washington.
Credit awarded in: political movements, social problems, art and social change.
Total: 16 credits.
Program is preparatory for: careers and future studies in social sciences, humanities, political economy, law, media and communications, arts and public and community service.

Program Updates:

(8/25/03) New, not in printed catalog (8/27/03) Enrollment limit has been reduced in this program to 25 students

Art in the Americas: Indigenous Identity, Mestizaje and Cultural Hybridity
Fall and Winter quarters
Faculty: Gail Tremblay, Ellen Fernandez-Sacco
Enrollment: 50
Prerequisites: Junior or senior standing, transfer students welcome. Previous work in the arts and/or art history, Core program or English composition.
Faculty Signature: Yes
Special Expenses: Approximately $200 for art materials; $60 for field trip to Neah Bay during fall quarter; $1,800–$2,000 for six-week field trip to Mexico during winter quarter.
Internship Possibilities: No
Travel Component: Six-week field trip to Mexico.

This program is designed to allow students to combine the study of art history and visual culture with the study of techniques for the creation of work in the visual arts. Students will examine art in the Americas with a focus on the works of artists in the United States and Mexico. We will explore the ways art has been shaped by issues of cultural identity, with particular attention to the dynamics that exist between people in indigenous nations and settler states. We will examine patterns of cultural interchange. We will also explore the mixing of cultures that result from immigration and intercultural encounters, and their effects on the development of certain American aesthetics. This exploration will include an analysis of colonialism and its impact on cultural production. Students will be expected to create individual and collaborative works of art that grow out of personal identity and theories developed as part of this program.
Students will be required to design individual multimedia, installation and/or performance work that examines their location within their culture. They will also be asked to work with other students to explore cultural interchange as part of a collaborative art project. During winter, students will have the opportunity to travel for six weeks in Mexico where they will visit museums, galleries and architectural sites. They will be able to discuss the themes of the program with established Mexican artists and their students in various universities and art schools. Students will also have the chance to immerse themselves in various facets of Mexican culture, including examining the role played by indigenous cultures within Mexico.
We recommend that students who have not previously studied Spanish, take four credits of Spanish during fall quarter.
Credit awarded in: indigenous art history, Mexican art history, mixed media, installation and performance art, cultural studies and art criticism.
Total: 16 credits each quarter.
Program is preparatory for: careers and future studies in art, art history, cultural studies, visual culture, art production and art criticism.
Planning Unit(s): Culture, Text and Language; Expressive Arts; Native American and World Indigenous Peoples Studies

Program Updates:

(6/3/03) Mario will be on Leave, and he will be replaced in the program. (8/7/03) Ellen Fernanzed-Sacco, an art historian, has joined this program. (11/17/03) Students who are willing to read Beyond the Fantastic edited by Gerardo Mosquera may enter the program winter quarter. If they want to travel to Mexico, they need faculty permission and must also pay a non-refrundable deposit by Dec. 5th. If they want to work on campus, they should talk with the faculty team at academic fair.

Art of Local History is a quarterlong program, focused on the exploration of the role of the historian as an individual with creative vision, as a collector and interpreter of communal memories and as an agent of action and change in communities. We will act as artists, historians, activists, critical readers and thinkers, writers and involved members of our community.
Artists and historians both work within the bounds of culture to communicate alternative ways of knowing, both personal and communal. With the understanding of history as the production of cultural memory, we will investigate how stories are transmitted through literature, art and museums. Through an examination of the role of perspective in the telling of history, we will question the foundations of knowledge and the problems such questions create for historians. We will also read books and selected articles that examine themes of power in society, along with fiction and historical readings that will inform our sense of place in the Pacific Northwest. As an expression of these themes, we will create interdisciplinary exhibition elements with content that blurs the line between fiction and non-fiction. Our work here will focus on the Pacific Northwest and on social histories, and the ways in which these local histories are related to national and international economic, political and social forces. Writing will be focused on research, seminar essays, autobiography and interpretive writing workshops. Studio sessions will consist of developing proficiencies in graphic design technologies, drawing, photography, collage, book arts and exhibit design. We’ll also visit area museums, listen to some great music and cook local food three times during the quarter.
Students will be expected to work in groups to create components of an exhibit related to themes in local history, to engage as individuals in creating an autobiography, and to learn about and visit museums and significant places in our local and regional area.
Credit awarded in: Pacific Northwest history, exhibit design, creative writing, introduction to art and introduction to social science research methods.
Total: 16 credits.
Program is preparatory for: careers and future studies in the humanities and expressive arts.
Planning Unit(s): First-Year Programs

Program Updates:

(7/16/03) New, not in printed catalog

Astronomy and Cosmologies
Spring quarter
Faculty: E. J. Zita
Enrollment: 25
Prerequisites: Sophomore standing or above; facility with algebra.
Faculty Signature: No
Special Expenses: $45 for materials, $200-$300 for binoculars and tripod and $300 for possible field trips.
Internship Possibilities: No

Learn beginning-to-intermediate astronomy and celestial navigation through lectures, discussions, interactive workshops and observation, using the naked eye, binoculars and telescopes. Students will build (and take home) learning tools such as spectrometers and position finders, research a topic of interest (in the library and through observations), create a Web page and share research with classmates.
We will also seminar on cosmologies: how people across cultures and throughout history have understood, modeled and ordered their universe. We will study creation stories and worldviews from ancient peoples to modern astrophysicists.
Students are invited to help organize a field trip to warm, clear skies.

Atoms, Molecules and Research
Fall, Winter and Spring quarters
Faculty: Dharshi Bopegedera
Enrollment: 25
Prerequisites: Junior or senior standing, transfer students welcome; one year of college-level chemistry (or AP high school chemistry) and ability to do differential and integral calculus.
Faculty Signature: Yes
Special Expenses: No
Internship Possibilities: No

In this upper-division chemistry program we will explore the question "What does a chemist do?" In all aspects of the program, we will try to understand how the principles of chemistry learned in the classroom are applied by chemists all over the world. This program is designed to provide advanced preparation that will enable students to pursue careers in chemistry and chemical engineering (graduate school and industry), fields that have high employment demands in the sciences. It will also be useful for students considering careers in medicine, biochemistry or chemical physics.
During fall and winter, the lecture portion of the program will cover the traditional junior- and senior-level topics in physical chemistry and inorganic chemistry. These include thermodynamics, quantum mechanics, inorganic chemistry, chemical kinetics, statistical mechanics and spectroscopy. During spring, if time permits, the lecture portion of the program will cover some special topics in chemistry.
Fall quarter, the laboratory portion of the program will train students to use chemical instrumentation to carry out assigned laboratory experiments. All members of the chemistry faculty and science instructional technicians will be involved in teaching the laboratory portion, ensuring breadth and individual guidance. Winter and spring, students will be assigned laboratory research projects they will conduct under the close supervision of chemistry faculty. Students will present the results of their research at the annual American Chemical Society Undergraduate Research meeting.
Students will also participate in workshops on technical writing and library research methods, including online searching.
Credit awarded in: thermodynamics*, quantum mechanics*, inorganic chemistry*, instrumentation laboratory* and under-graduate research in chemistry*.
Total: 16 credits (no faculty signature); 1-15 credits (faculty signature necessary).
Program is preparatory for: careers and future studies in chemistry, chemical engineering, chemical physics, medicine and biochemistry.
Planning Unit(s): Scientific Inquiry
* Indicates upper-division credits

Program Updates:

(5/9/03) Contact the Academic Advising office for information about the signature process, (360) 867-6312. (6/10/03) Dharshi Bopegedera has been added to this program. (11/17/03) Students who want to enter in Winter should have the equivalent of the first quarter of physical chemistry and inorganic chemistry. Speak with the faculty for details. (2/18/04) Not accepting new students in spring.

Author! Author!
New, not in printed catalog
Fall, Winter and Spring quarters
Faculty: Bill Ransom, Leonard Schwartz
Enrollment: 48
Prerequisites: None. This all-level program accepts us to 31 percent first-year students.
Faculty Signature: Yes
Special Expenses: Approximately $150 per quarter for supplies and field trip fees.
Internship Possibilities: No

Baseball: More Than a Game
Spring quarter
Faculty: Oscar Soule, Steve Bray
Enrollment: 48
Prerequisites: None. This all-level program will offer appropriate support for sophomores or above ready to do advanced work.
Faculty Signature: No
Special Expenses: $25–$35 in ticket costs for event fees.
Internship Possibilities: No

This program will explore the impact of the game of baseball on society and culture in the United States and on the imagination through literature, film and art. It also will view the increasing global impact of baseball, especially in Latin America and Japan, as well as the ever-increasing ethic diversity of baseball within the major leagues. We will observe how baseball has served an important national role as a force of tradition and an agent for change. Regarded as the national pastime, it has gradually included the participation of blacks and women. In order to understand the full impact of baseball on society, and as inspiration for fans, writers and artists, students will observe the game itself in addition to examining its history. Workshops will focus on writing, mathematics and art. This program is designed primarily to appeal to students who are interested in viewing baseball as a multicultural game, which has an impact and appeal far beyond the playing field.
Credit awarded in: social and cultural history, business and labor relations, art and media studies, sport and society, and writing.
Total: 16 credits.
Program is preparatory for: careers and future studies in history, cultural studies, business, economics, literature, media studies and journalism.
Planning Unit(s): Programs for First-Year Students; Culture, Text and Language

Program Updates:

(10/09/03) Steve Bray, a journalist, has been added to the faculty team. Enrollment has been increased to 48 students: 30 Freshmen; 18 Sophomore to Seniors.

Bilingual Education and Teaching
Fall and Winter quarters
Faculty: Evelia Romano
Enrollment: 25
Prerequisites: Junior or senior standing, transfer students welcome. Previous course work in linguistics; previous or concurrent study of a foreign or second language.
Faculty Signature: Yes
Special Expenses: $120 for overnight field trip to Eastern Washington.
Internship Possibilities: No

Language is the main tool for the transmission of knowledge and social values. This program explores linguistic and social issues related to minority language communities in the United States. The study of these issues is crucial to understanding the role of education and the educational system in the integration and promotion of minority groups.
We will explore several theoretical issues related to, and preparatory for, the study of bilingual education and teaching: first and second language acquisition; the relationships of language, culture and society; a historical introduction to bilingual education; and the politics of bilingualism in the United States. A weekly workshop will be devoted to the study of second language teaching, with particular consideration of different theories and methodologies. Students will be introduced to bilingual education in elementary and high schools, program design and assessment. We will visit bilingual classrooms throughout the state and conduct ethnographic observations during field trips. As part of the workshop activities in the winter, students will have the opportunity to go into the community (elementary schools, high schools, etc.) to acquire practical experience and apply some of the theories discussed in class.
A four-credit intermediate/advanced Spanish course will be offered as an optional part of the program throughout fall and winter.
As a follow-up to this program, during spring quarter Evelia will sponsor internships for those students who are interested in furthering their practical knowledge and experience. Students will be able to work as teachers’ aides in K–12, ESL and bilingual classrooms, teach Spanish as a foreign language at elementary schools, teach ESL and Spanish literacy to adults or work with the local Hispanic community on issues of education.
Credit awarded in: bilingual education theory, history and policy, linguistics, language acquisition and sociolinguistics, multicultural education, ESL and second- or foreign-language teaching methodology and practice, and intermediate/advanced Spanish. Upper-division credit can be earned for advanced work in all the areas.
Total: 12 or 16 credits each quarter. Students may register for 12 credits without Spanish or 16 credits with Spanish.
Program is preparatory for: careers and future studies in education, linguistics, ESL and second- or foreign-language teaching.
Planning Unit(s): Culture, Text and Language

Program Updates:

(11/04/03) Faculty signature added. (11/07/03) Not accepting new students in Winter.

Christian Roots: Medieval and Renaissance Art and Science
Fall and Winter quarters
Faculty: Lisa Sweet, Frederica Bowcutt
Enrollment: 48
Prerequisites: None. This all-level program will offer appropriate support for sophomores or above ready to do advanced work.
Faculty Signature: Yes
Special Expenses: Approximately $300 for art supplies and $150 for field trips.
Internship Possibilities: No

The influence of Christianity on medieval and renaissance art and science will be our focus. Students will explore European culture from 1100 to 1750. We will examine trends that emerged in religion, medicine, botany and visual art. Our study begins with the precipitating factors that led to the Middle Ages. We will learn about the work of Greek botanists, such as Dioscorides, and explore the impact they had on the medieval study of plants. We will also study early Christian iconography.
In winter, we will study the emerging Humanism, its attendant scientific revolution, and the market economy that accompanied the Renaissance. Medieval botany was a branch of medicine, heavily shaped by Christian values and beliefs. Exploration and colonization of the "New World" resulted in increased knowledge of plant diversity. This inspired different approaches to naming and classification. New technology allowed for the study of anatomy and physiology. During the Renaissance period, botany emerged as a distinct discipline, as did the idea of scientists engaged in a moral project to better the material life of people.
Christian values also determined the look and function of art. The medieval church developed a code of representation for Christian images; it also was the primary patron of artists until the High Renaissance. During the Renaissance, the Humanist obsession with science seeped into the arts. Science influenced the visual arts in the form of portrayal of human anatomy; studies of nature through illustration; and the development of optics and perspective. The roles of artists changed from that of artisans to intellectuals. Students will explore medieval and renaissance artistic work firsthand by creating relief prints in fall; in winter, students will incorporate relief prints into handmade manuscripts utilizing basic calligraphy and bookbinding.
Throughout the program, we will learn about individual scientists and artists who shaped the Middle Ages and Renaissance.
Credit awarded in: printmaking, bookmaking, art appreciation, history of science, European ethnobotany, European history and introductory expository writing.
Total: 16 credits each quarter.
Program is preparatory for: careers and future studies in art, healing arts, ethnobotany and history of science.
Planning Unit(s): Programs for First-Year Students; Environmental Studies; Expressive Arts

Program Updates:

(11/04/03) Faculty signature added. (11/11/03) Students joining the program in winter need to read Huizinga, The Autumn of the Middle Ages (Chapters 1-9) prior to the first week of class. Herbals by Agnes Arber is recommended reading. To be prepared to do the major project of the quarter, new students will need to complete the calligraphy and bookbinding assignments by the end of week 2. Instructions for these assignments will be available from Lisa Sweet at the Academic Fair. She will also post extra copies outside her door.

Community Development: The Art of Place
New, not in printed catalog
Winter and Spring quarters
Faculty: Peg Tysver, Eli Sterling
Enrollment: 46
Prerequisites: None. This is a Core program designed for first-year students.
Faculty Signature: No
Special Expenses: $200 for field trips and art supplies
Internship possibilities: No

The program Community Development: The Art of Place is designed to give students direct involvement in the development and implementation of community art and celebration as an essential aspect of community development. We'll analyze the fundamental tenets guiding community development, and explore the relationship of the artist to community as well as guiding principles for enhancing the capacity for artists to be an agent of action and change in communities. We'll put our ideas into practice as we involve and serve the needs of neighborhoods, and we will work in groups to develop our own artistic visions and carry out projects that explore the role of art as an agent for communal cohesiveness, creativity and change.
We will be guided by these overarching program questions: How can we become aware of and curious and creative about the expression of our own values and ideals about community? How can we engage others in sharing our excitement about the potential for building community around shared ideals through art? How does the artist transform social issues and beliefs into art, creating with and for the public? Does the act of making art collaboratively redefine art itself? When, if ever, is it possible to transform collaborative act of arts into collaborative acts of culture. We will examine such questions as these through work in art, field natural history, history, and cultural and museum studies. Student projects will be incorporated into the Olympia Procession of the Species Celebration in spring quarter.
We will seminar on a diverse range of texts about public art, community development, informal education, and philosophy of the environment. Through seminar we will develop excellent learning skills as readers, writers and critical thinkers. Through 2- and 3-D art workshops we'll build our skills in curiosity and creativity. Through collaborative field work researching, designing and creating community murals and collective performance for the Procession, we will bring our learning into a real-world context, giving everyone a direct experience in community organizing in the arts.
Credit awarded in: art, art history, community development, community organizing, education and environmental studies.
Total: 16 credits each quarter.
Program is preparatory for: careers and future studies in the arts, education and community development.
Planning Unit(s): Programs for First Year Students

The North American settler colonies did not move smoothly in their separation from Britain to the emergence of the United States. The colonies and then the thirteen sovereign states were riven with conflict, social, racial and class division and distinctly different visions of the proper economic and political system that should predominate in the new nation. A number of roads appeared open; capitalism did not appear a foregone conclusion prior to 1787. There were several contested versions of nationhood and alternative frameworks for its realization. Although an internal market was developing, the rules shaping its operation and the values underlying the relations it encouraged were hotly contested. It is argued that the Constitution, with its explicitly economic framework, was a clear and perhaps determinative move toward capitalism and set the course for the distinctive state that subsequently developed. The crisis of the 1780s and the subsequent restructuring under the Constitution raised grave questions regarding the relationship between democracy and capitalism and about the viability of a society that claims to promote both. We will explore these issues in considerable depth as well as engage in a close study of the struggles surrounding the adoption of the Constitution, the policies of the first administration (often referred to as the Second Founding), and several key decisions of the Supreme Court under John Marshall.
Credit awarded in: early North American history, political science, state formation, political economy of revolutionary/post-revolutionary North America, and early American political thought.
Total: 16 credits.
Program is preparatory for: careers and future studies in history, political science, law, teaching and informed citizenship.
Planning Unit(s): Society, Politics, Behavior and Change

Program Updates:

(4/3/03) New not in printed catalog.

This program explores how cultures have been historically examined and provides opportunity for students to find new ways of learning about diverse people.
Topics to be covered include: The development of a model for examining cultures; colonialism and identity; humans used as objects of scientific research and personal gain; how defining a people from the outside takes away the power inherent in self-identity; and power structures of privilege. The program will also examine the power of identity as it relates to juvenile justice and how research can be changed from objectifying people into empowering people.
This class will meet once a week at Maple Lane School and confront the cultural and political struggles of incarceration. Students will be given an opportunity to utilize participatory research methods while providing cultural workshops. All students must pass the security check.
Credits awarded in: cultural studies and community studies.
Total: 16 credits.
This program is preparatory for: careers and future studies in education, justice administration, community action and social work.
Planning Unit(s): Society, Politics, Behavior and Change

Program Updates:

(4/4/03) New not in printed catalog. (6/3/03) Enrollment increased from 20 to 30.

Dance, Creativity and Culture
Fall, Winter and Spring quarters
Faculty: Ratna Roy, Mukti Khanna
Enrollment: 50
Prerequisites: Sophomore standing or above, transfer students welcome.
Faculty Signature: Yes
Special Expenses: $50–$60 each quarter for performance supplies.
Internship Possibilities: No

This program will examine several world cultures through literature, dance, psychology and creativity studies. First, we will concentrate on the how’s and why’s of literary and dance criticism, multicultural psychology and research methodologies. For example, we will ask: Why are most of the African- and Asian-based dances earth-bound? How is drama/theater in other cultures different from or similar to western theater? How is identity constructed in a multicultural context?
We will then study two cultures in depth. Students will participate in a two-quarter field research study to deepen their understanding of African American and Asian cultures in the United States. At the same time, students will be involved in the creative work of dance and theater, using expressive arts therapies to understand how experience in the arts can deepen imagination, insight and understanding. Students will also write short papers, and an additional research paper on a culture of their choice. We will make several field trips for classes and performances in various dance genres and to visit art museums.
In spring, we will perform dances from the various cultures studied. In the final weeks, we will reflect on our learning, using our understanding of dance and literary criticism, creativity theory and the psychological perspectives covered during the year.
Credit awarded in: dance, dance criticism, performance studies, theater, literature, methods of inquiry, anthropology, political economy, quantitative skills, eastern philosophy, multicultural psychology, developmental psychology, expressive arts therapies and writing.
Total: 12 or 16 credits fall and winter quarters; 16 credits spring quarter.
Program is preparatory for: careers and future studies in performance studies, English literature, theater, dance, Asian studies, African American studies, African studies, eastern philosophy, cultural anthropology, multicultural psychology, developmental psychology and expressive arts therapies.
Planning Unit(s): Culture, Text and Language; Expressive Arts; Society, Politics, Behavior and Change

Program Updates:

(11/17/03) Students who want to enter in Winter should read the texts on Gandhi and Martin Luther King, Jr. that the program has studied this Fall. Speak with the faculty for details. (2/18/04) Not accepting new students in spring. Faculty signature added.

Data to Information
Fall, Winter and Spring quarters
Faculty: Brian Walter (FWS), John Cushing (F), Neal Nelson (WS)
Enrollment: 50
Prerequisites: Sophomore standing or above, transfer students welcome. High school algebra proficiency assumed.
Faculty Signature: Yes. For information contact Brian Walter, (360) 867-5435.
Special Expenses: Unusually expensive textbooks, approximately $300 per quarter.
Internship Possibilities: No

The goal of this program is to lay a firm foundation for advanced work in computer science. The name "Data to Information" refers to our study of how bits, bytes and raw numbers gain meaning through increasingly abstract layers of interpretation. Organizing raw data into different structures can produce very different meanings—through interpretation, correct or not, raw data becomes information.
Our work will emphasize knowledge of the fundamentals of mathematics, program design, algorithms and data structures, and the hardware needed to succeed in the computer field. Individual and collaborative problem-solving will also be stressed.
Program content will be structured around four, yearlong interwoven themes: The computational organization theme will begin with digital logic and continue through increasingly complex and abstract ways of organizing hardware into functional units. The programming languages theme will begin with the functional programming paradigm using Haskell, then continue into the analysis of data structures and algorithms, and finally introduce an object-oriented programming paradigm using Java. The mathematical abstractions theme will develop the mathematical tools and abstract ideas that support problem solving in computer science. The history and social implications of technology theme will explore the context in which quantitative and computerized tools have been developed and applied.
Credit awarded in: digital logic, computer architecture, programming, data structures and algorithms, discrete mathematics and social and historical implications of technology. Approximately one third of the credit is classified as upper-division science.
Credits: 16 credits; 12 credits only for new students.
A similar program is expected to be offered in 2004–05.
Program is preparatory for: careers and future studies in computer-related fields, science and mathematics.
Planning Unit(s): Scientific Inquiry

Program Updates:

(2/12/03) Faculty Signature, interview and algebra pretest have been removed. (4/30/03) The faculty have been switched in this program. Dropped: Sheryl Shulman; Added: Neal Nelson. (2/18/04) Faculty will consider new students in spring quarter. New students will be eligible for 12 credits only. Faculty signature added. For information contact Brian Walter, (360) 867-5435.